Sharon Marie Carnicke’s research on Stanislavsky brings his acting practice fully into the 21st century. In particular, her work with Stanislavsky’s ‘Active Analysis’ shows it to be a brilliantly flexible rehearsal technique for the full range of today’s performance styles, including the ‘postdramatic’.
This lecture combines the best of history and practice, and the best of scholarship and teaching, from one of the preeminent names in contemporary theatre studies.
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