“The physicality, the lights, the music, and the acting - it’s very much an ensemble piece. Absolutely everything is working together to create a whole. It has potency as the sum of its parts.”
Stubbs and Stewart intricately explore Andrew Bovell’s script, animatedly discussing fresh textual interpretations of the play’s key scenes, in an analysis that develops in front of the camera.
The pair explains how the title Things I Know To Be True is deliberately challenged by a narrative hinged around revealing moments of dishonesty, how not moving is itself an integral part of movement, and why shoes play such an important role in the grounding of one’s character.