Alison Hodge is a director, actor-trainer, author and lecturer, and the Artistic Director of ’The Quick and the Dead’, an international performance ensemble. In this wide-ranging interview, she describes the fundamental principles of her work in actor training, and the myriad benefits that work on the breath or the spine can bring to the performer.
Talking about energy, timing, space, touch, and her physical training work, Hodge explains how she enables actors to create fully alive performances without overburdening them with studied technique.
Goodbye doesn’t have to be forever - your administrator can easily renew your subscription via email@example.com, so you can return to the DT+ community. Your new subscription will include:
450+ video and audio performances, with all-star casts - across theatre, dance, opera and music.
300+ video teaching resources, with industry leaders - including interviews, lectures, workshops and documentaries.
350+ written teaching resources, by industry leaders - including lesson plans, concise introductions, play texts, curriculum-mapped revision guides and director notebooks.
Call the team via your nearest timezone number:
Europe: +44 (0) 20 3873 1330
Americas: +1 646 652 0150
Asia: +852 5808 0068
Or, leave a message via firstname.lastname@example.org