“The rehearsal room is always special and in the best of times it’s a playground.”
Francis O’Connor was set and costume designer for Gemma Bodinetz’s futuristic reimagining of Macbeth.
Giving in-depth insights into his creative process, O’Connor reflects on the importance of imagery, considers the role of collaboration with the director, as well as the acting company, and explains why sometimes you have to kill your darlings.
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