"Somebody once said that the problem with theatre is that it’s all in long-shot; the things that I do try and bring it into close-up."
Paul explains his definition of sound design as ‘a dialogue with the director’, discusses working collaboratively with prolific directors such as Rufus Norris and Stephen Daldry, and reveals how, despite not being an innate technician, doing an arts degree gave him the training he needed to be able to speak to them as peers. He describes how sound often operates at a subconscious level for an audience, the need to be honest and objective about the spectators’ experience, and why The Royal Court is a sound designer’s perfect theatre.
Goodbye doesn’t have to be forever - your administrator can easily renew your subscription via firstname.lastname@example.org, so you can return to the DT+ community. Your new subscription will include:
450+ video and audio performances, with all-star casts - across theatre, dance, opera and music.
300+ video teaching resources, with industry leaders - including interviews, lectures, workshops and documentaries.
350+ written teaching resources, by industry leaders - including lesson plans, concise introductions, play texts, curriculum-mapped revision guides and director notebooks.
Call the team via your nearest timezone number:
Europe: +44 (0) 20 3873 1330
Americas: +1 646 652 0150
Asia: +852 5808 0068
Or, leave a message via email@example.com