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Rehearsal Process
“We would work far away from what’s literally there in order to try to... release the physicality of the scene.”
Director Phyllida Lloyd and the team behind the Donmar Shakespeare Trilogy discuss the rehearsal process for Julius Caesar, Henry IV and The Tempest.
From editing the texts to generating a shared understanding of Shakespearean language through collective ‘forensic’ investigation, Lloyd’s experimental way of working is put under the spotlight as the cast reflects on bringing the season to life.
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