“End as far away as possible from the beginning to give you that full sense of the journey of the body.”
In the seventh of 12 masterclasses, Joanna Merlin – the last student of Michael Chekhov still actively teaching – demonstrates how to work with contraction, expansion, and gesture, as well as exploring archetypes in Three Sisters.
This series, part funded by the National Endowment for the Arts, brings the Michael Chekhov technique to life through practical advice and demonstrations from some of the foremost practitioners of Chekhov’s methods.
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