Lyric 360

This unique and exclusive documentary opens the door to life at the Lyric Theatre in Hammersmith, west London, during summer and autumn 2017. DT+ goes behind the scenes to access all areas of the company, from their extensive young people’s programme to the key planning stages for their main house production of Anton Chekhov’s The Seagull.
Digital Theatre
(2017)
Documentary

Practitioners on Practice... On Being an Artistic Director: An interview with Vicky Featherstone

Having been named one of the most influential people in British theatre, Vicky Featherstone discusses her path to success, from her role as Artistic Director of touring company Paines Plough to leading the National Theatre of Scotland and her current position with the Royal Court Theatre in London.
Vicky Featherstone - Digital Theatre+ (2017)
Digital Theatre
(2017)
Interview

Talking About Plays... Brontë: An Interview with Polly Teale

Writer and director Polly Teale discusses her experience of dramatising the lives of the Brontë sisters, elaborating on the challenges they faced as women in the 19th century and examining the representation of their inner worlds through their work.
Talking About Plays... Brontë: An Interview with Polly Teale
Digital Theatre
(2017)
Interview

The Shakespeare Series... Part 2: Love

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Digital Theatre
(2017)
Interview

A Frantic Assembly Warm Up

Jonnie Riordan, Associate Director of Frantic Assembly's Things I Know To Be True, takes you through six warm-up exercises and provides detailed aims and instructions for use in the classroom. The exercises vary from a fun 'keepie uppie' introduction, through to more demanding cardio and circuit training sessions, all of which are geared towards developing teamwork, stamina, physical confidence and focus.
Frantic Assembly Warm Up
Digital Theatre
(2016)
Workshop

An Interview with Scott Graham

Artistic Director of Frantic Assembly Scott Graham discusses the collaborative process of working with writer Andrew Bovell on Things I Know To Be True, and how he came to incorporate a physical language into the production.
Digital Theatre
(2016)
Interview

Theatre Lives: Michael Grandage

Michael Grandage explains, to Digital Theatre+’s Fiona Lindsay, why he dislikes the term ‘revival’, how an old play must become new for a company to ‘crack’ it, and talks of bringing current work into perspective through the past.
Theatre Lives
(2016)
Interview

Contemporary Performance Practice... Blast Theory: Matt Adams interviewed by Andy Lavender

Matt Adams is a co-founder of Blast Theory with Ju Row Farr and Nick Tandavanitj. This interview by Professor Andy Lavender, author of Performance in the Twenty-First Century, is a fascinating discussion of the company’s inception; its unique experiments with interactive media, theatre and location-based games; and its working processes and creative practices.
Digital Theatre
(2016)
Interview

Contemporary Performance Practice... Forced Entertainment: Tim Etchells interviewed by Matt Trueman

Tim Etchells, founding collaborator of Forced Entertainment, talks to theatre critic and journalist Matt Trueman about a 30-year process of trying to reinvent the theatrical experience in a way that can get past an audience’s defences, implicate them, involve them and allow them to form their own imaginative connections, beyond the ‘tyrannous architecture of narrative’.
Contemporary Performance Practice: Forced Entertainment - Tim Etchells interviewed by Matt Trueman
Digital Theatre
(2016)
Interview

Contemporary Performance Practice... On the Role of the Audience: An Interview with Tim Crouch

Tim Crouch is a theatre artist: an experimental theatre-maker who acts, writes and directs plays. In this fascinating interview, he talks about early influences (his teacher Edward Braun, as well as Beckett, Brecht and Churchill), about story-telling, transformation, and the importance of the audience’s process in the theatre.
Tim Crouch on the Role of the Audience
Digital Theatre
(2016)
Interview

Contemporary Performance Practice... Shakespeare for Inclusive Audiences: Kelly Hunter interviewed by Michael Dobson

Kelly Hunter was for many years a renowned actor with the Royal Shakespeare Company and is now Artistic Director of Flute Theatre. Hunter, author of Shakespeare’s Heartbeat and Cracking Shakespeare talks here with Michael Dobson, Director of the Shakespeare Institute, about her work developing games for children on the autism spectrum using Shakespeare’s texts.
Shakespeare for Inclusive Audiences - Kelly Hunter interviewed by Michael Dobson
Digital Theatre
(2016)
Interview

Talking About Plays... A Day in the Death of Joe Egg: An Interview with Phillip Breen

Phillip Breen, theatre director, describes how the life of the play, which was originally expected to run for a fortnight, was unexpectedly extended, details the challenges of staging such sensitive subject matter in his 2011 production, and relives the playwright's response to seeing his life laid bare on stage.
Talking About Plays
(2016)
Interview

Talking About Plays... A Servant of Two Masters: An Interview with Tim Supple

Tim Supple, theatre director, explores Carlo Goldoni's 1746 comedy A Servant of Two Masters.

Tim discusses the play's renowned character types, the work's modern-day equivalents - the most explicit of which is Richard Bean's celebrated adaptation One Man Two Guvnors - and how Goldoni mastered an art form so successful with a bourgeois theatrical audience.

Talking About Plays
(2016)
Interview

Talking About Plays... Earthquakes in London: An Interview with Sarah Esdaile

Sarah Esdaile, theatre director, discusses Mike Bartlett's 2010 environmental drama Earthquakes in London.
 
Esdaile considers the challenges of staging a play whose scenes tumble into one another, why one might look to Chekhov's Three Sisters, Shakespeare's King Lear, and Marber's Closer in the rehearsal room, and how Bartlett's work speaks to young audiences.
Talking About Plays
(2016)
Interview

Talking About Plays... Girls: An Interview with Michael Buffong

Michael tells of Talawa's role in helping emerging playwright Ikoko develop the work, how a perfect cast is like an orchestra, and why the play's resonance won Ikoko both the Alfred Fagon (2015) award and George Devine (2016) awards. Most recently, Ikoko swooped the Channel 4 Playwrights' award for Girls itself, earning her a year-long placement with theatre company, HighTide.
Talking About Plays
(2016)
Interview

Talking About Plays... Jerusalem: An Interview with Ian Rickson

Ian Rickson, former Artistic Director of the Royal Court, tells of his collaborative relationship with Butterworth, being thankful to lead actor Mark Rylance, and how recces to the shires helped to inform the atmosphere of the play. He explains the challenges of translating such a richly spiritual text into physical performance and the essentiality of trust amongst a theatre company, particularly when staging new writing.
Talking About Plays
(2016)
Interview

Talking About Plays... Live Like Pigs: An Interview with Robert Leach

Robert Leach, director, investigates how Arden was influenced by an alternative tradition of writers including Ben Jonson and John Skelton and why the context of the Royal Court's 'kitchen sink' dramas caused the play to be misinterpreted.
Talking About Plays
(2016)
Interview

Talking About Plays... My Mother Said I Never Should: An Interview with Michael Attenborough

Michael Attenborough, theatre director, discusses staging his production at the Royal Court in 1989, where the truth might be found amongst deception spanning decades, and the significance of time in the text.
Talking About Plays
(2016)
Interview

Talking About Plays... Red Velvet: An Interview with Lolita Chakrabarti and Indhu Rubasingham

Lolita Chakrabarti, playwright of Red Velvet, and Indhu Rubasingham, Artistic Director of the Tricycle Theatre, talk about how their long-term collaborative relationship enabled the story to finally make it to the stage.
Talking About Plays
(2016)
Interview

Talking About Plays... Sweeney Todd: An Interview with Michael Fentiman

Michael Fentiman, theatre director, explores the unlikely but pivotal partnership between Todd and local piemaker Mrs Lovett, reasons why such a melodramatic series of events could actually happen, and analyses the story's self-perpetuating momentum.
Talking About Plays
(2016)
Interview

Talking About Plays... The Accrington Pals: An Interview with Rebecca Gatward

Director Rebecca Gatward shares her experience of having twice-directed Peter Whelan's 1981 play. She explores the characters' origins in Whelan's own family history, the beauty of prose akin to working class poetry, and how the text lends itself so well to today's political landscape.
Talking About Plays
(2016)
Interview

Talking About Plays... The Entertainer: An Interview with Sean Holmes

Sean Holmes, Artistic Director of the Lyric Hammersmith, explores the play's modern parallels and discusses why Osborne's bold, frank and 'kitchen sink realism' approach to playwriting has seen The Entertainer endure across the decades.
Talking About Plays
(2016)
Interview

Talking About Plays... The Government Inspector: An Interview with Roxana Silbert

Roxana Silbert, Artistic Director of Birmingham Repertory Theatre, discusses Gogol's personal eccentricities, Tsar Nicholas I's surprising support for the work, and the difficulties present in translating a text across both time and language.
Talking About Plays
(2016)
Interview

Talking About Plays... The House of Bernarda Alba: An Interview with Bijan Sheibani

Bijan Sheibani, theatre director, uncovers Lorca's passionate interest in natural forces, interrogates the role of off-stage love interest Pepe Romano, and explains why, for a play about women, the piece is surprisingly biographical.
Talking About Plays
(2016)
Interview

Talking About Plays... Woyzeck: An Interview with Daniel Kramer

Daniel Kramer, director and Artistic Director of English National Opera, considers how the unfinished fragments of the text allow for multiple interpretations, explaining the choices made for his own 2004 production. In addition, he analyses how the male gaze informed the lead female's animalistic characterisation, discusses the value of sound in translation, and encourages those studying the text to interrogate their own situations in order to understand the work.
Talking About Plays
(2016)
Interview