Contemporary Performance Practice... On Scenography: Pamela Howard interviewed by Rachel Hann

Celebrated director and scenographer Pamela Howard gives a history of scenography in practice, including insights into the early days of the Prague Quadrennial. She explores the political and artistic importance of international collaboration and discusses in detail her seminal book, What is Scenography.
Interview
(2017)

Contemporary Performance Practice... Tara Arts: Jatinder Verma interviewed by Dominic Hingorani

In this fascinating discussion, Artistic Director of Tara Arts Jatinder Verma covers everything from ethnicity and migration to pantomime and verbatim theatre. Verma considers how classic texts can be reworked for contemporary audiences and concludes by explaining how Black Theatre Live enables and empowers artists to find a space for their work.
Interview
(2017)

How to Read, Watch and Write About Plays: The Tempest

Writer Daniel Rosenthal discusses the various ways to analyse and engage with Shakespeare’s The Tempest in three different stages: reading, watching and writing about the play.
Interview
(2017)

Play Writers: James Graham with Daniel Rosenthal

James Graham explores how his own life has inspired and influenced his writing and explains how he uses curious events from history to shed new light on the world in which we live today.
Interview
(2017)

Play Writers: Michael Frayn with Daniel Rosenthal

In intimate detail, Michael Frayn describes how his research process unfolds when writing a new piece work, with particular reference to his historical plays Copenhagen, Democracy and Afterlife.
Interview
(2017)

Play Writers: Patrick Marber with Daniel Rosenthal

Through the prism of four key plays - Dealer’s Choice, Closer, Howard Katz and The Red Lion - Patrick Marber gives intimate insight into his life and career, from his early days experimenting with comedy at Oxford to becoming an Olivier Award-winning playwright.
Interview
(2017)

Play Writers: Willy Russell with Daniel Rosenthal

Willy Russell shares what he has learnt about what it takes to write a play with fascinating insight into his own life and career. He explores several of his key works in vivid detail, including Educating Rita, and gives a reading from Shirley Valentine.
Interview
(2017)

Practitioners on Practice... On Being an Artistic Director: An interview with Vicky Featherstone

Having been named one of the most influential people in British theatre, Vicky Featherstone discusses her path to success, from her role as Artistic Director of touring company Paines Plough to leading the National Theatre of Scotland and her current position with the Royal Court Theatre in London.
Vicky Featherstone - Digital Theatre+ (2017)
Interview
(2017)

Practitioners on Practice... On Playwriting: An interview with Barney Norris

Playwright and novelist Barney Norris, whose recent work includes Nightfall at Nicholas Hytner’s Bridge Theatre, gives an honest depiction of his experience as a young writer, from studying English Literature at university to working with British theatre company Out of Joint.
Practitioners on Practice... On Playwriting: An interview with Barney Norris
Interview
(2017)

Practitioners on Practice... On Playwriting: An interview with John Godber

John Godber, one of the most performed playwrights in the UK, delves into his process for creating work that focuses on the plight of individuals who suffer judgement and misfortune as a result of class prejudice.
An Interview with John Godber (2017)
Interview
(2017)

Practitioners on Practice... On Playwriting: An interview with Patrick Barlow

Writer, actor and director Patrick Barlow provides a unique insight into his theatre-making process, from the creation of his comedic double-act The National Theatre of Brent to the physical and fast-paced adaptation of the Alfred Hitchcock film and John Buchan novel The 39 Steps.
Patrick Barlow - Digital Theatre+ (2017)
Interview
(2017)

Practitioners on Practice... On Screenwriting: An interview with Andrew Davies

Writer Andrew Davies, best-known for adapting some of literature’s greatest novels for television, such as Jane Austen’s Pride and Prejudice and Leo Tolstoy’s War and Peace, discusses the cinematic potential of language and the process of bringing words to life on screen.
Andrew Davies - Digital Theatre+ (2017)
Interview
(2017)

Practitioners on Practice... On Writing: An interview with Lee Hall

British writer Lee Hall discusses the processes for creating some of his most popular works, such as the ground-breaking radio drama Spoonface Steinberg, the play of The Pitmen Painters based on the Ashington Group, and the film and musical adaptation of Billy Elliot.
Lee Hall - Digital Theatre+ (2017)
Interview
(2017)

Shakespeare's Women Today: Harriet Walter in Conversation with Carol Rutter

In this inspiring and extraordinary exchange of ideas, Professor Carol Chillington Rutter, editor of Clamorous Voices: Shakespeare’s Women Today, revisits the seminal book with one of its most celebrated interviewees, Harriet Walter. With reference to Walter’s subsequent career and, more recently, her foray into playing male roles, the two explore Shakespeare’s characters and plays in fascinating detail.
Interview
(2017)

Talking About Plays... Anita and Me: An Interview with Tanika Gupta

Playwright Tanika Gupta discusses her writing process, inspiration and passion for adapting Meera Syal’s semi-autobiographical novel, Anita and Me, as well as exploring her career progression from radio dramas to stage plays.
Interview
(2017)

Talking About Plays... Kindertransport: An Interview with Diane Samuels

Diane Samuels takes an in-depth look at her award-winning play Kindertransport, exploring how real-life people and experiences helped to inspire its creation, and considers the importance of telling female stories.
Interview
(2017)

Talking About Plays... Regeneration: An Interview with Simon Godwin

Simon Godwin, Associate Director at the National Theatre, unravels the intricate layers of Pat Barker’s Regeneration and discusses his directorial intentions for staging Nicholas White’s adaptation at the Royal & Derngate theatre, Northampton, in 2014.
Simon Godwin - Director (2017)
Interview
(2017)

The Shakespeare Series | Part 1: Gender

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of gender with reference to Julius Caesar and As You Like It.
Interview
(2017)

The Shakespeare Series | Part 2: Love

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Interview
(2017)

The Shakespeare Series | Part 3: Family

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of family with reference to Macbeth, King Lear and The Merry Wives of Windsor.
Interview
(2017)

The Shakespeare Series | Part 4: Conflict

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of conflict with reference to Titus Andronicus, King Lear and A Midsummer Night’s Dream.
Interview
(2017)

Thomas Richards on Working with Jerzy Grotowski

In this personal account of his life and work, Thomas Richards talks about art, identity, his time as a student at Yale University, his apprenticeship with Jerzy Grotowski, and his eventual inheritance of the Workcenter in Pontedera, Italy.
Interview
(2016)

An Interview with Kirsty Oswald

Kirsty Oswald discusses playing the youngest Price child, Rosie, in Frantic Assembly’s Things I Know To Be True. Kirsty talks about the family that developed through rehearsing the play, the physical and emotional exhaustion that the production provokes, and describes the movement of the piece as loving familial support made manifest.
An Interview with Kirsty Oswald
Interview
(2016)

An Interview with Matthew Barker

Matthew Barker plays Mark and Mia in Frantic Assembly’s production of Andrew Bovell’s Thing I Know To Be True. Matthew discusses the extensive research into, sincere approach towards and delicate examination of gender dysphoria that characterised the play’s and the company’s storytelling, from first read-through, to audience response.
Interview
(2016)

An Interview with Richard Mylan

Richard talks about playing ‘Mummy’s boy’ Ben Price in Andrew Bovell’s Things I Know To Be True. He discusses how an actor’s ‘track’ is as much physical as mental, why hitting peak energy can be easier in the throws of performance than rehearsal, and his conviction that experiencing the Frantic Assembly method would better any performer.
An Interview with Richard Mylan
Interview
(2016)