Guggenheim-winning artist and theatre-maker Lois Weaver gives intimate insight into her life and work as a performance artist, exploring themes of class, gender politics and sexuality. Weaver discusses her process, explaining why the layering of aesthetics and narratives is so integral to her work.
Celebrated director and scenographer Pamela Howard gives a history of scenography in practice, including insights into the early days of the Prague Quadrennial. She explores the political and artistic importance of international collaboration and discusses in detail her seminal book, What is Scenography.
In this fascinating discussion, Artistic Director of Tara Arts Jatinder Verma covers everything from ethnicity and migration to pantomime and verbatim theatre. Verma considers how classic texts can be reworked for contemporary audiences and concludes by explaining how Black Theatre Live enables and empowers artists to find a space for their work.
This unique and exclusive documentary opens the door to life at the Lyric Theatre in Hammersmith, west London, during summer and autumn 2017. DT+ goes behind the scenes to access all areas of the company, from their extensive young people’s programme to the key planning stages for their main house production of Anton Chekhov’s The Seagull.
Through the prism of four key plays - Dealer’s Choice, Closer, Howard Katz and The Red Lion - Patrick Marber gives intimate insight into his life and career, from his early days experimenting with comedy at Oxford to becoming an Olivier Award-winning playwright.
Having been named one of the most influential people in British theatre, Vicky Featherstone discusses her path to success, from her role as Artistic Director of touring company Paines Plough to leading the National Theatre of Scotland and her current position with the Royal Court Theatre in London.
Writer and director Polly Teale discusses her experience of dramatising the lives of the Brontë sisters, elaborating on the challenges they faced as women in the 19th century and examining the representation of their inner worlds through their work.
Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of gender with reference to Julius Caesar and As You Like It.
Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of family with reference to Macbeth, King Lear and The Merry Wives of Windsor.
Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of conflict with reference to Titus Andronicus, King Lear and A Midsummer Night’s Dream.
This remarkable archival footage of early games and workshops run by Augusto Boal around the world shows the transformative, liberating nature of his work. Exploring three of his main methods – Invisible Theatre, Forum Theatre and Legislative Theatre – this documentary by Jeanne Dosse explains how each of these methods work in practice.
Instituto Augusto Boal
In this personal account of his life and work, Thomas Richards talks about art, identity, his time as a student at Yale University, his apprenticeship with Jerzy Grotowski, and his eventual inheritance of the Workcenter in Pontedera, Italy.
Jonnie Riordan, Associate Director of Frantic Assembly's Things I Know To Be True, takes you through six warm-up exercises and provides detailed aims and instructions for use in the classroom. The exercises vary from a fun 'keepie uppie' introduction, through to more demanding cardio and circuit training sessions, all of which are geared towards developing teamwork, stamina, physical confidence and focus.
In this personal account, Eugenio Barba, Director of Odin Teatret and of the International School of Theatre Anthropology, shares his thoughts on the techniques and training that develop the art of direction.
Artistic Director of Frantic Assembly, Scott Graham, discusses the collaborative process of working with writer Andrew Bovell on Things I Know To Be True, and how he came to incorporate a physical language into the production.
This extensive and exclusive interview with Eric Bentley, conducted by Professor Anna Furse in 2015, is a unique insight into the life and work of one of Bertolt Brecht’s closest collaborators, shedding significant light on the enduring power of the work, the ideas and the politics of a remarkable moment in history.
This exclusive collection of interview footage charts Augusto Boal’s entire career and influence around the world, giving unique insights into the development of his thought and work. Compiling extracts from interviews he gave in France, the Netherlands, the US, Spain and his native Brazil, this montage by Jeanne Dosse is a superb introduction to his politics and aesthetics.
Instituto Augusto Boal
Michael Grandage explains, to Digital Theatre+’s Fiona Lindsay, why he dislikes the term ‘revival’, how an old play must become new for a company to ‘crack’ it, and talks of bringing current work into perspective through the past.
Matt Adams is a co-founder of Blast Theory with Ju Row Farr and Nick Tandavanitj. This interview by Professor Andy Lavender, author of Performance in the Twenty-First Century, is a fascinating discussion of the company’s inception; its unique experiments with interactive media, theatre and location-based games; and its working processes and creative practices.
Tim Etchells, founding collaborator of Forced Entertainment, talks to theatre critic and journalist Matt Trueman about a 30-year process of trying to reinvent the theatrical experience in a way that can get past an audience’s defences, implicate them, involve them and allow them to form their own imaginative connections, beyond the ‘tyrannous architecture of narrative’.
Tim Crouch is a theatre artist: an experimental theatre-maker who acts, writes and directs plays. In this fascinating interview, he talks about early influences (his teacher Edward Braun, as well as Beckett, Brecht and Churchill), about story-telling, transformation, and the importance of the audience’s process in the theatre.
Kelly Hunter was for many years a renowned actor with the Royal Shakespeare Company and is now Artistic Director of Flute Theatre. Hunter, author of Shakespeare’s Heartbeat and Cracking Shakespeare talks here with Michael Dobson, Director of the Shakespeare Institute, about her work developing games for children on the autism spectrum using Shakespeare’s texts.
Phillip Breen, theatre director, describes how the life of the play, which was originally expected to run for a fortnight, was unexpectedly extended, details the challenges of staging such sensitive subject matter in his 2011 production, and relives the playwright's response to seeing his life laid bare on stage.
Talking About Plays
Tim Supple, theatre director, explores Carlo Goldoni's 1746 comedy A Servant of Two Masters.
Tim discusses the play's renowned character types, the work's modern-day equivalents - the most explicit of which is Richard Bean's celebrated adaptation One Man Two Guvnors - and how Goldoni mastered an art form so successful with a bourgeois theatrical audience.
Talking About Plays