Writer Daniel Rosenthal discusses the various ways to analyse and engage with Shakespeare’s The Tempest in three different stages: reading, watching and writing about the play.
This unique and exclusive documentary opens the door to life at the Lyric Theatre in Hammersmith, west London, during summer and autumn 2017. DT+ goes behind the scenes to access all areas of the company, from their extensive young people’s programme to the key planning stages for their main house production of Anton Chekhov’s The Seagull.
Willy Russell shares what he has learnt about what it takes to write a play with fascinating insight into his own life and career. He explores several of his key works in vivd detail, including Educating Rita, and gives a reading from Shirley Valentine.
Writer Andrew Davies, best-known for adapting some of literature’s greatest novels for television such as Jane Austen’s Pride and Prejudice and Leo Tolstoy’s War and Peace, discusses the cinematic potential of language and the process of bringing the words to life on the screen.
Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of gender with reference to Julius Caesar and As You Like It.
Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of family with reference to Macbeth, King Lear and The Merry Wives of Windsor.
Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of conflict with reference to Titus Andronicus, King Lear and A Midsummer Night’s Dream.
In this interview, Imtiaz Dharker provides an invaluable perspective on life as a poet. From the creation of images to the influence of other writers, Dharker explores the meaning of poetry and the inspiration for her writing.
“The writer is the thing. Sometimes I feel that I haven’t really earned the accolades – I didn’t write it, I’m only saying it out loud really. But when those big parts come along you do have a huge responsibility, and I will rise to that because I am my worst critic... So it's exhausting doing theatre, but wonderful.”
Having studied English Language and Linguistics at Lancaster University, Ben has written extensively on Shakespearean language and recently staged the first reading of Macbeth in original pronunciation for four centuries, with his Shakespeare Ensemble.
Michael Attenborough, theatre director, discusses staging his production at the Royal Court in 1989, where the truth might be found amongst deception spanning decades, and the significance of time in the text.
Talking About Plays
Ellie Kendrick played Juliet in Dominic Dromgoole's 2009 production, staged at Shakespeare's Globe.
Ellie shares how she thinks Shakespeare was able to write a teenage girl so accurately and how interrogating the text revealed Juliet as a much more radical and gothic character.
In an exclusive interview with the great American writer, BBC Omnibus talks to playwright Arthur Miller at his Connecticut home about the political and poetic nature of his plays, about being a writer in the US today, and about his marriage to Marilyn Monroe. Fimed in 1987.
Ethan Hawke sets out to prepare himself for the possibility of playing the role of Macbeth by uncovering the true story behind the play, seeing some of the greatest productions and discovering the extraordinary insights into the criminal mind that Shakespeare reveals.
Director Trevor Nunn looks at the magical and mysterious world created in Shakespeare's last complete play, The Tempest. Trevor finds out where Shakespeare got his material from and the strange personal insights hidden within it. It is a truly experimental work but sadly perhaps also Shakespeare's farewell to the theatre.