How to Read, Watch and Write About Plays: The Tempest

Writer Daniel Rosenthal discusses the various ways to analyse and engage with Shakespeare’s The Tempest in three different stages: reading, watching and writing about the play.
Interview
(2017)

Lyric 360

This unique and exclusive documentary opens the door to life at the Lyric Theatre in Hammersmith, west London, during summer and autumn 2017. DT+ goes behind the scenes to access all areas of the company, from their extensive young people’s programme to the key planning stages for their main house production of Anton Chekhov’s The Seagull.
Documentary
(2017)

Play Writers: Willy Russell with Daniel Rosenthal

Willy Russell shares what he has learnt about what it takes to write a play with fascinating insight into his own life and career. He explores several of his key works in vivd detail, including Educating Rita, and gives a reading from Shirley Valentine.
Interview
(2017)

Practitioners on Practice: an Interview with Barney Norris

Playwright and novelist Barney Norris, whose recent work includes Nightfall at Nicholas Hytner’s Bridge Theatre, gives an honest depiction of his experience as a young writer, from studying English Literature at university to working with British theatre company Out of Joint.
Interview
(2017)

Practitioners on Practice: an Interview with Screenwriter Andrew Davies

Writer Andrew Davies, best-known for adapting some of literature’s greatest novels for television, such as Jane Austen’s Pride and Prejudice and Leo Tolstoy’s War and Peace, discusses the cinematic potential of language and the process of bringing words to life on screen.
Andrew Davies - Digital Theatre+ (2017)
Interview
(2017)

Practitioners on Practice: An Interview with Writer Patrick Barlow

Writer, actor and director Patrick Barlow provides a unique insight into his theatre-making process, from the creation of his comedic double-act The National Theatre of Brent to the physical and fast-paced adaptation of the Alfred Hitchcock film and John Buchan novel The 39 Steps.
Patrick Barlow - Digital Theatre+ (2017)
Interview
(2017)

Talking About Plays... Anita and Me: An Interview with Tanika Gupta

Playwright Tanika Gupta discusses her writing process, inspiration and passion for adapting Meera Syal’s semi-autobiographical novel, Anita and Me, as well as exploring her career progression from radio dramas to stage plays.
Interview
(2017)

Talking About Plays... Kindertransport: An Interview with Diane Samuels

Diane Samuels takes an in-depth look at her award-winning play Kindertransport, exploring how real-life people and experiences helped to inspire its creation, and considers the importance of telling female stories.
Interview
(2017)

The Shakespeare Series | Part 1: Gender

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of gender with reference to Julius Caesar and As You Like It.
Interview
(2017)

The Shakespeare Series | Part 2: Love

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Interview
(2017)

The Shakespeare Series | Part 3: Family

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of family with reference to Macbeth, King Lear and The Merry Wives of Windsor.
Interview
(2017)

The Shakespeare Series | Part 4: Conflict

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of conflict with reference to Titus Andronicus, King Lear and A Midsummer Night’s Dream.
Interview
(2017)

A Frantic Assembly Warm Up

Jonnie Riordan, Associate Director of Frantic Assembly's Things I Know To Be True, takes you through six warm-up exercises and provides detailed aims and instructions for use in the classroom. The exercises vary from a fun 'keepie uppie' introduction, through to more demanding cardio and circuit training sessions, all of which are geared towards developing teamwork, stamina, physical confidence and focus.
Frantic Assembly Warm Up
Workshop
(2016)

An Interview with Kirsty Oswald

Kirsty Oswald discusses playing the youngest Price child, Rosie, in Frantic Assembly’s Things I Know To Be True. Kirsty talks about the family that developed through rehearsing the play, the physical and emotional exhaustion that the production provokes, and describes the movement of the piece as loving familial support made manifest.
An Interview with Kirsty Oswald
Interview
(2016)

An Interview with Matthew Barker

Matthew Barker plays Mark and Mia in Frantic Assembly’s production of Andrew Bovell’s Thing I Know To Be True. Matthew discusses the extensive research into, sincere approach towards and delicate examination of gender dysphoria that characterised the play’s and the company’s storytelling, from first read-through, to audience response.
Interview
(2016)

An Interview with Richard Mylan

Richard talks about playing ‘Mummy’s boy’ Ben Price in Andrew Bovell’s Things I Know To Be True. He discusses how an actor’s ‘track’ is as much physical as mental, why hitting peak energy can be easier in the throws of performance than rehearsal, and his conviction that experiencing the Frantic Assembly method would better any performer.
An Interview with Richard Mylan
Interview
(2016)

An Interview with Scott Graham

Scott Graham, Artistic Director of Frantic Assembly, explores the honest and collaborative process of developing the physical and textual language of Things I Know To Be True, alongside co-director Geordie Brookman, writer Andrew Bovell and a cast that grew into their characters as rehearsals progressed.
Interview
(2016)

Theatre Lives: Imelda Staunton

“The writer is the thing. Sometimes I feel that I haven’t really earned the accolades – I didn’t write it, I’m only saying it out loud really. But when those big parts come along you do have a huge responsibility, and I will rise to that because I am my worst critic... So it's exhausting doing theatre, but wonderful.”
Imelda Staunton
Theatre Lives
(2016)
Interview

Theatre Lives: Michael Grandage

Michael Grandage explains, to Digital Theatre+’s Fiona Lindsay, why he dislikes the term ‘revival’, how an old play must become new for a company to ‘crack’ it, and talks of bringing current work into perspective through the past.
Theatre Lives
(2016)
Interview

Contemporary Performance Practice | Alison Hodge on Actor Training

Alison Hodge is a director, actor-trainer, author and lecturer, and the Artistic Director of ’The Quick and the Dead’, an international performance ensemble. In this wide-ranging interview she describes the fundamental principles of her work in actor training, and the myriad benefits that work on the breath or the spine can bring to the performer.
Alison Hodge on Actor Training
Interview
(2016)

Contemporary Performance Practice | Blast Theory | Matt Adams interviewed by Andy Lavender

Matt Adams is a co-founder of Blast Theory with Ju Row Farr and Nick Tandavanitj. This interview by Professor Andy Lavender, author of Performance in the Twenty-First Century, is a fascinating discussion of the company’s inception; its unique experiments with interactive media, theatre and location-based games; and its working processes and creative practices.
Interview
(2016)

Contemporary Performance Practice | Shakespeare for Inclusive Audiences | Kelly Hunter interviewed by Michael Dobson

Kelly Hunter was for many years a renowned actor with the Royal Shakespeare Company and is now Artistic Director of Flute Theatre. Hunter, author of Shakespeare’s Heartbeat and Cracking Shakespeare talks here with Michael Dobson, Director of the Shakespeare Institute, about her work developing games for children on the autism spectrum using Shakespeare’s texts.
Shakespeare for Inclusive Audiences - Kelly Hunter interviewed by Michael Dobson
Interview
(2016)

Contemporary Performance Practice | Tim Crouch on the Role of the Audience

Tim Crouch is a theatre artist: an experimental theatre maker who acts, writes and directs plays. In this fascinating interview he talks about early influences (his teacher Edward Braun, as well as Beckett, Brecht and Churchill), about story-telling, transformation, and the importance of the audience’s process in the theatre.
Tim Crouch on the Role of the Audience
Interview
(2016)

Contemporary Performance Practice: Forced Entertainment - Tim Etchells interviewed by Matt Trueman

Tim Etchells, founding collaborator of Forced Entertainment, talks to theatre critic and journalist Matt Trueman about a 30-year process of trying to reinvent the theatrical experience in a way that can get past an audience’s defences, implicate them, involve them and allow them to form their own imaginative connections, beyond the ‘tyrannous architecture of narrative’.
Contemporary Performance Practice: Forced Entertainment - Tim Etchells interviewed by Matt Trueman
Interview
(2016)

Contemporary Performance Practice: Paul Allain on Directing

Paul Allain is Professor of Theatre and Performing Arts at the University of Kent, as well as a movement director and actor trainer. Paul talks about the benefits of multidisciplinarity and the increased need for a global generation of directors to be flexible, adaptable and collaborative. He discusses training directors, working with actors, the advantages of maturity and how all theory is necessarily born out of practice.
Contemporary Performance Practice: Paul Allain on Directing
Interview
(2016)