Lyric 360

This unique and exclusive documentary opens the door to life at the Lyric Theatre in Hammersmith, west London, during summer and autumn 2017. DT+ goes behind the scenes to access all areas of the company, from their extensive young people’s programme to the key planning stages for their main house production of Anton Chekhov’s The Seagull.
Documentary
(2017)

Play Writers: Moira Buffini with Daniel Rosenthal

Moira Buffini explores how she works with the past to write about the present, with particular reference to her World War II play Gabriel, which emerged out of a desire to write about the lives of women during the war.
Interview
(2017)

Playing Shakespeare… On Othello: An Interview with Ray Fearon

Actor Ray Fearon brings the character of Othello to life by combining readings from Shakespeare’s text with intimate insights into his own experience of playing the Moor. He considers how Othello swings like a pendulum between love and hatred, and how the opposing use of verse and prose consolidates this effect.
Interview
(2017)

Playing Shakespeare… On Viola: An Interview with Zoe Waites

In forensic detail, and by unpacking the layers of disguise embedded within the play, actor Zoe Waites analyses the language and rhythms of Shakespeare’s Twelfth Night and considers how these tools help bring the character of Viola to life.
Interview
(2017)

Shakespeare's Women Today: Harriet Walter in Conversation with Carol Rutter

In this inspiring and extraordinary exchange of ideas, Professor Carol Chillington Rutter, editor of Clamorous Voices: Shakespeare’s Women Today, revisits the seminal book with one of its most celebrated interviewees, Harriet Walter. With reference to Walter’s subsequent career and, more recently, her foray into playing male roles, the two explore Shakespeare’s characters and plays in fascinating detail.
Interview
(2017)

The Shakespeare Series... Part 1: Gender

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of gender with reference to Julius Caesar and As You Like It.
Panel Discussion
(2017)

The Shakespeare Series... Part 2: Love

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Panel Discussion
(2017)

The Shakespeare Series... Part 3: Family

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of family with reference to Macbeth, King Lear and The Merry Wives of Windsor.
Panel Discussion
(2017)

The Shakespeare Series... Part 4: Conflict

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of conflict with reference to Titus Andronicus, King Lear and A Midsummer Night’s Dream.
Panel Discussion
(2017)

An Interview with Imogen Stubbs and Ewan Stewart

Stubbs and Stewart intricately explore Andrew Bovell’s script, animatedly discussing fresh textual interpretations of the play’s key scenes, in an analysis that develops in front of the camera.
An Interview with Ewan Stewart & Imogen Stubbs
Interview
(2016)

An Interview with Kirsty Oswald

Oswald explores the symbiotic responsibility of opening the play to an audience in soliloquy, inviting them as friends on a shared journey, while coming to terms with and conveying the emotional singularity of her own story.
An Interview with Kirsty Oswald
Interview
(2016)

An Interview with Matthew Barker

Barker outlines his process of learning to play a son, a daughter, a brother and a sister, within the precincts of the same character. He discusses the edifying journey through language, science and autobiographical illustration, which allowed him to sit comfortably in playing the understanding that there are as many stories about transition as there are people who experience it.
Interview
(2016)

An Interview with Natalie Casey

Casey discusses the interrogative discomfort of exploring the semi-abusive relationship between Pip and her mother, and how Andrew Bovell’s writing looks, at first glance, like prose, but is almost dance-like in rhythm and quality.
An Interview with Natalie Casey
Interview
(2016)

An Interview with Richard Mylan

Mylan reads Things I Know To Be True as a continuous crisis point for Ben, an impending train wreck, hurtling towards a catastrophic act of envy and selfishness. He describes developing Ben’s character by learning his extremes, before pulling back to something stiller to internalise that turmoil, and explains that every moment of the production is intensely physical, even in its stillness.
An Interview with Richard Mylan
Interview
(2016)

Theatre Lives: Imelda Staunton

“The writer is the thing. Sometimes I feel that I haven’t really earned the accolades – I didn’t write it, I’m only saying it out loud really. But when those big parts come along you do have a huge responsibility, and I will rise to that because I am my worst critic... So it's exhausting doing theatre, but wonderful.”
Imelda Staunton
Theatre Lives
(2016)
Interview

Theatre Lives: Julie Walters

"We're attracted to the weaker and darker sides of ourselves, because that's what we are trying to solve all the time, I think - our vulnerabilities and our fears. That's why it's great to play them, to share them. You're sharing your own puzzles and people are watching because they want to solve the conundrum."
Julie Walters in conversation with Fiona Lindsay
Theatre Lives
(2016)
Interview

Theatre Lives: Juliet Stevenson

"I think everything I have experienced in my life is both things. When you give birth to your first child, it's the most extraordinary event you will ever have encountered; but of course giving birth is the most ordinary thing. The same is true of death, presumably. All the great events in our lives are both ordinary and extraordinary."
Theatre Lives
(2016)
Interview

Talking About Plays... Metamorphosis: An Interview with George Dillon

George shares why he credits Berkoff with inventing physical theatre, the distance between the suspension of disbelief and belief itself, and the physics of playing a beetle.
Talking About Plays
(2016)
Interview

An Interview with... Meera Syal

Meera Syal is one of the UK's best-known performing arts polymaths, having turned her hand to acting, writing, singing and producing across both stage and screen. She is currently playing the role of Nurse in Kenneth Branagh's all-star Romeo and Juliet at The Garrick Theatre.

In this interview, Meera explores the origins of her stage-adapted novel Anita and Me and reflects upon the joy of collaborative work and why it's important for a writer to invest in the small characters.

Interview
(2016)

Practitioners on Practice... On Composing: An interview with Tarek Merchant

Tarek Merchant discusses the technicalities of Musical Direction and explains how his role is a constant conversation with the composer, director, sound designer, musicians and cast. He expounds on the necessity to form a robust and shared musical vocabulary with the wider creative team, and explores the symbiotic relationship between the architecture of a production’s design and that of its music.
Practitioners on Practice... On Composing: An interview with Tarek Merchant
Interview
(2016)

About the Production: Far from the Madding Crowd

How do you take a 40,000 word classic novel and transform it into a piece for the stage? Join the director, writer, composer and actors as they reveal how they took Thomas Hardy's classic Far from the Madding Crowd and made it work on the stage.

Far from the Madding Crowd by Thomas Hardy
Documentary
(2012)

An Actor's Perspective: Leila Benn Harris

Leila Benn Harris played Emily in Aaron Lee Lambert's musical From Up Here, developed by Perfect Pitch.

Leila reflects on the experience of originating a role, being filmed in performance on stage, and what she considers to be her favourite moments of working on the production.

Filmed by Perfect Pitch.

Actress Leila Benn Harris
Interview
(2015)

Backstage: The Comedy of Errors

In this unique insight into the secret world of backstage, Digital Theatre go behind the scenes at the Clapham Community Project during the RSC and Told by an Idiot’s young people’s production of The Comedy of Errors.
Interview
(2012)

In the Rehearsal Room: LIFT

This short film explores the development of Craig Adams and Ian Watson's new musical LIFT, as it happened.

From the first morning meet and greet to devising movement sequences, join the cast and creative team in the rehearsal room.

Created by Perfect Pitch. Filmed and edited by Wayne Eagles.

Interview
(2015)

Key Analysis: Julia Ford on Lady Macbeth

Julia Ford took to the Liverpool Everyman to play opposite David Morrissey in Gemma Bodinetz’s post-apocalyptic Macbeth. Ford considers how Lady Macbeth was able to persuade her husband to commit murder, and explains how she, as an actor, interprets Shakespeare’s words – and silences.
Interview
(2012)