This remarkable archival footage of early games and workshops run by Augusto Boal around the world shows the transformative, liberating nature of his work. Exploring three of his main methods – Invisible Theatre, Forum Theatre and Legislative Theatre – this documentary by Jeanne Dosse explains how each of these methods work in practice.
Instituto Augusto Boal
This extensive and exclusive interview with Eric Bentley, conducted by Professor Anna Furse in 2015, is a unique insight into the life and work of one of Bertolt Brecht’s closest collaborators, shedding significant light on the enduring power of the work, the ideas and the politics of a remarkable moment in history.
This exclusive collection of interview footage charts Augusto Boal’s entire career and influence around the world, giving unique insights into the development of his thought and work. Compiling extracts from interviews he gave in France, the Netherlands, the US, Spain and his native Brazil, this montage by Jeanne Dosse is a superb introduction to his politics and aesthetics.
Instituto Augusto Boal
Alison Hodge is a director, actor-trainer, author and lecturer, and the Artistic Director of ’The Quick and the Dead’, an international performance ensemble. In this wide-ranging interview she describes the fundamental principles of her work in actor training, and the myriad benefits that work on the breath or the spine can bring to the performer.
Alan Brodie, agent for the Noël Coward Estate, and Geoffrey Johnson, a personal friend of Coward's, discuss the life and work of one of Britain's most renowned entertainers.
Talking About Plays
As a highly experienced voice and text coach, Barbara understands the difference between intellectually and experientially connecting with the language of a piece. She explores the voice as an instrument like any other, explains the physical movement of breath and sound through the body, and how there is no one-size-fits all approach to voice work.
Newly appointed as the Artistic Director of Little Angel Theatre, we interviewed Samantha during her time as the Director of Projects - the theatre's creative learning department - at the Almeida. She is a firm believer in the educative power of theatre across all subjects and describes how it can empower students and enhance learning.
Head of Text, Voice and Artist Development at the RSC, Lyn Darnley has worked with a wide array of performers over the years.
She discusses the twofold nature of a voice coach's role in exploring how both physical preparation and exercise, and deep, considered exploration of text can enrich an actor's performance.