Contemporary Performance Practice... On Scenography: Pamela Howard interviewed by Rachel Hann

Celebrated director and scenographer Pamela Howard gives a history of scenography in practice, including insights into the early days of the Prague Quadrennial. She explores the political and artistic importance of international collaboration and discusses in detail her seminal book, What is Scenography.
Interview
(2017)

Contemporary Performance Practice... Tara Arts: Jatinder Verma interviewed by Dominic Hingorani

In this fascinating discussion, Artistic Director of Tara Arts Jatinder Verma covers everything from ethnicity and migration to pantomime and verbatim theatre. Verma considers how classic texts can be reworked for contemporary audiences and concludes by explaining how Black Theatre Live enables and empowers artists to find a space for their work.
Interview
(2017)

Lyric 360

This unique and exclusive documentary opens the door to life at the Lyric Theatre in Hammersmith, west London, during summer and autumn 2017. DT+ goes behind the scenes to access all areas of the company, from their extensive young people’s programme to the key planning stages for their main house production of Anton Chekhov’s The Seagull.
Documentary
(2017)

Play Writers: Patrick Marber with Daniel Rosenthal

Through the prism of four key plays - Dealer’s Choice, Closer, Howard Katz and The Red Lion - Patrick Marber gives intimate insight into his life and career, from his early days experimenting with comedy at Oxford to becoming an Olivier Award-winning playwright.
Interview
(2017)

Practitioners on Practice: an interview with Artistic Director Vicky Featherstone

Having been named one of the most influential people in British theatre, Vicky Featherstone discusses her path to success, from her role as Artistic Director of touring company Paines Plough to leading the National Theatre of Scotland and her current position with the Royal Court Theatre in London.
Vicky Featherstone - Digital Theatre+ (2017)
Interview
(2017)

The Shakespeare Series | Part 1: Gender

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of gender with reference to Julius Caesar and As You Like It.
Interview
(2017)

The Shakespeare Series | Part 2: Love

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Interview
(2017)

The Shakespeare Series | Part 3: Family

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of family with reference to Macbeth, King Lear and The Merry Wives of Windsor.
Interview
(2017)

The Shakespeare Series | Part 4: Conflict

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of conflict with reference to Titus Andronicus, King Lear and A Midsummer Night’s Dream.
Interview
(2017)

Theatre of the Oppressed

This remarkable archival footage of early games and workshops run by Augusto Boal around the world shows the transformative, liberating nature of his work. Exploring three of his main methods – Invisible Theatre, Forum Theatre and Legislative Theatre – this documentary by Jeanne Dosse explains how each of these methods work in practice.
Augusto Boal
Instituto Augusto Boal
(1971)
Documentary

Thomas Richards on Working with Jerzy Grotowski

In this personal account of his life and work, Thomas Richards talks about art, identity, his time as a student at Yale University, his apprenticeship with Jerzy Grotowski, and his eventual inheritance of the Workcenter in Pontedera, Italy.
Interview
(2016)

A Masterclass in Theatre Direction with Eugenio Barba

In this personal account, Eugenio Barba, Director of Odin Teatret and of the International School of Theatre Anthropology, shares his thoughts on the techniques and training that develop the art of direction.
Odin Teatret
(2007)
Masterclass

An Interview with Scott Graham

Scott Graham, Artistic Director of Frantic Assembly, explores the honest and collaborative process of developing the physical and textual language of Things I Know To Be True, alongside co-director Geordie Brookman, writer Andrew Bovell and a cast that grew into their characters as rehearsals progressed.
Interview
(2016)

Eric Bentley at 100: on Brecht, theatre, politics and writing

This extensive and exclusive interview with Eric Bentley, conducted by Professor Anna Furse in 2015, is a unique insight into the life and work of one of Bertolt Brecht’s closest collaborators, shedding significant light on the enduring power of the work, the ideas and the politics of a remarkable moment in history.
Bentley & Brecht
Interview
(2015)

Interviews with Augusto Boal: From 1971 to 2009

This exclusive collection of interview footage charts Augusto Boal’s entire career and influence around the world, giving unique insights into the development of his thought and work. Compiling extracts from interviews he gave in France, the Netherlands, the US, Spain and his native Brazil, this montage by Jeanne Dosse is a superb introduction to his politics and aesthetics.
Augusto Boal
Instituto Augusto Boal
(1971)
Interview

Theatre Lives: Michael Grandage

Michael Grandage explains, to Digital Theatre+’s Fiona Lindsay, why he dislikes the term ‘revival’, how an old play must become new for a company to ‘crack’ it, and talks of bringing current work into perspective through the past.
Theatre Lives
(2016)
Interview

Contemporary Performance Practice... On Directing: Paul Allain

Paul Allain is Professor of Theatre and Performing Arts at the University of Kent, as well as a movement director and actor trainer. Paul talks about the benefits of multidisciplinarity and the increased need for a global generation of directors to be flexible, adaptable and collaborative. He discusses training directors, working with actors, the advantages of maturity and how all theory is necessarily born out of practice.
Contemporary Performance Practice: Paul Allain on Directing
Interview
(2016)

Talking About Plays... A Day in the Death of Joe Egg: An Interview with Phillip Breen

Phillip Breen, theatre director, describes how the life of the play, which was originally expected to run for a fortnight, was unexpectedly extended, details the challenges of staging such sensitive subject matter in his 2011 production, and relives the playwright's response to seeing his life laid bare on stage.
Talking About Plays
(2016)
Interview

Talking About Plays... A Servant of Two Masters: An Interview with Tim Supple

Tim Supple, theatre director, explores Carlo Goldoni's 1746 comedy A Servant of Two Masters.

Tim discusses the play's renowned character types, the work's modern-day equivalents - the most explicit of which is Richard Bean's celebrated adaptation One Man Two Guvnors - and how Goldoni mastered an art form so successful with a bourgeois theatrical audience.

Talking About Plays
(2016)
Interview

Talking About Plays... Earthquakes in London: An Interview with Sarah Esdaile

Sarah Esdaile, theatre director, discusses Mike Bartlett's 2010 environmental drama Earthquakes in London.
 
Esdaile considers the challenges of staging a play whose scenes tumble into one another, why one might look to Chekhov's Three Sisters, Shakespeare's King Lear, and Marber's Closer in the rehearsal room, and how Bartlett's work speaks to young audiences.
Talking About Plays
(2016)
Interview

Talking About Plays... Girls: An Interview with Michael Buffong

Michael tells of Talawa's role in helping emerging playwright Ikoko develop the work, how a perfect cast is like an orchestra, and why the play's resonance won Ikoko both the Alfred Fagon (2015) award and George Devine (2016) awards. Most recently, Ikoko swooped the Channel 4 Playwrights' award for Girls itself, earning her a year-long placement with theatre company, HighTide.
Talking About Plays
(2016)
Interview

Talking About Plays... Jerusalem: An Interview with Ian Rickson

Ian Rickson, former Artistic Director of the Royal Court, tells of his collaborative relationship with Butterworth, being thankful to lead actor Mark Rylance, and how recces to the shires helped to inform the atmosphere of the play. He explains the challenges of translating such a richly spiritual text into physical performance and the essentiality of trust amongst a theatre company, particularly when staging new writing.
Talking About Plays
(2016)
Interview

Talking About Plays... Live Like Pigs: An Interview with Robert Leach

Robert Leach, director, investigates how Arden was influenced by an alternative tradition of writers including Ben Jonson and John Skelton and why the context of the Royal Court's 'kitchen sink' dramas caused the play to be misinterpreted.
Talking About Plays
(2016)
Interview

Talking About Plays... My Mother Said I Never Should: An Interview with Michael Attenborough

Michael Attenborough, theatre director, discusses staging his production at the Royal Court in 1989, where the truth might be found amongst deception spanning decades, and the significance of time in the text.
Talking About Plays
(2016)
Interview

Talking About Plays... Red Velvet: An Interview with Lolita Chakrabarti and Indhu Rubasingham

Lolita Chakrabarti, playwright of Red Velvet, and Indhu Rubasingham, Artistic Director of the Tricycle Theatre, talk about how their long-term collaborative relationship enabled the story to finally make it to the stage.
Talking About Plays
(2016)
Interview