Contemporary Performance Practice... Tara Arts: Jatinder Verma interviewed by Dominic Hingorani

In this fascinating discussion, Artistic Director of Tara Arts Jatinder Verma covers everything from ethnicity and migration to pantomime and verbatim theatre. Verma considers how classic texts can be reworked for contemporary audiences and concludes by explaining how Black Theatre Live enables and empowers artists to find a space for their work.
Interview
(2017)

Lyric 360

This unique and exclusive documentary opens the door to life at the Lyric Theatre in Hammersmith, west London, during summer and autumn 2017. DT+ goes behind the scenes to access all areas of the company, from their extensive young people’s programme to the key planning stages for their main house production of Anton Chekhov’s The Seagull.
Documentary
(2017)

Play Writers: Moira Buffini with Daniel Rosenthal

Moira Buffini explores how she works with the past to write about the present, with particular reference to her World War II play Gabriel, which emerged out of a desire to write about the lives of women during the war.
Interview
(2017)

Playing Shakespeare… On Othello: An Interview with Ray Fearon

Actor Ray Fearon brings the character of Othello to life by combining readings from Shakespeare’s text with intimate insights into his own experience of playing the Moor. He considers how Othello swings like a pendulum between love and hatred, and how the opposing use of verse and prose consolidates this effect.
Interview
(2017)

Playing Shakespeare… On Viola: An Interview with Zoe Waites

In forensic detail, and by unpacking the layers of disguise embedded within the play, actor Zoe Waites analyses the language and rhythms of Shakespeare’s Twelfth Night and considers how these tools help bring the character of Viola to life.
Interview
(2017)

Shakespeare's Women Today: Harriet Walter in Conversation with Carol Rutter

In this inspiring and extraordinary exchange of ideas, Professor Carol Chillington Rutter, editor of Clamorous Voices: Shakespeare’s Women Today, revisits the seminal book with one of its most celebrated interviewees, Harriet Walter. With reference to Walter’s subsequent career and, more recently, her foray into playing male roles, the two explore Shakespeare’s characters and plays in fascinating detail.
Interview
(2017)

The Shakespeare Series... Part 1: Gender

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of gender with reference to Julius Caesar and As You Like It.
Panel Discussion
(2017)

The Shakespeare Series... Part 2: Love

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Panel Discussion
(2017)

The Shakespeare Series... Part 3: Family

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of family with reference to Macbeth, King Lear and The Merry Wives of Windsor.
Panel Discussion
(2017)

The Shakespeare Series... Part 4: Conflict

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of conflict with reference to Titus Andronicus, King Lear and A Midsummer Night’s Dream.
Panel Discussion
(2017)

Thomas Richards on Working with Jerzy Grotowski

In this personal account of his life and work, Thomas Richards talks about art, identity, his time as a student at Yale University, his apprenticeship with Jerzy Grotowski, and his eventual inheritance of the Workcenter in Pontedera, Italy.
Interview
(2016)

A Masterclass in Theatre Direction with Eugenio Barba

In this personal account, Eugenio Barba, Director of Odin Teatret and of the International School of Theatre Anthropology, shares his thoughts on the techniques and training that develop the art of direction.
Odin Teatret
(2007)
Masterclass

An Interview with Imogen Stubbs and Ewan Stewart

Stubbs and Stewart intricately explore Andrew Bovell’s script, animatedly discussing fresh textual interpretations of the play’s key scenes, in an analysis that develops in front of the camera.
An Interview with Ewan Stewart & Imogen Stubbs
Interview
(2016)

An Interview with Kirsty Oswald

Oswald explores the symbiotic responsibility of opening the play to an audience in soliloquy, inviting them as friends on a shared journey, while coming to terms with and conveying the emotional singularity of her own story.
An Interview with Kirsty Oswald
Interview
(2016)

An Interview with Matthew Barker

Barker outlines his process of learning to play a son, a daughter, a brother and a sister, within the precincts of the same character. He discusses the edifying journey through language, science and autobiographical illustration, which allowed him to sit comfortably in playing the understanding that there are as many stories about transition as there are people who experience it.
Interview
(2016)

An Interview with Natalie Casey

Casey discusses the interrogative discomfort of exploring the semi-abusive relationship between Pip and her mother, and how Andrew Bovell’s writing looks, at first glance, like prose, but is almost dance-like in rhythm and quality.
An Interview with Natalie Casey
Interview
(2016)

An Interview with Richard Mylan

Mylan reads Things I Know To Be True as a continuous crisis point for Ben, an impending train wreck, hurtling towards a catastrophic act of envy and selfishness. He describes developing Ben’s character by learning his extremes, before pulling back to something stiller to internalise that turmoil, and explains that every moment of the production is intensely physical, even in its stillness.
An Interview with Richard Mylan
Interview
(2016)

Barbara Houseman Masterclass: Bringing Text to Life

In this masterclass with world-renowned voice and text coach Barbara Houseman, students can follow along with Houseman’s process, getting real insight into the tools and techniques used by professional actors.
Barbara Houseman Masterclass: Bringing Text to Life
Tinhouse
(2016)
Masterclass

Barbara Houseman Masterclass: Developing Your Voice

In this masterclass with world-renowned voice and text coach Barbara Houseman, students can follow along with Houseman’s process, getting real insight into the tools and techniques used by professional actors.
Barbara Houseman Masterclass: Developing Your Voice
Tinhouse
(2016)
Masterclass

Contemporary Performance Practice... On Actor Training: An interview with Alison Hodge

Alison Hodge is a director, actor-trainer, author and lecturer, and the Artistic Director of ’The Quick and the Dead’, an international performance ensemble. In this wide-ranging interview she describes the fundamental principles of her work in actor training, and the myriad benefits that work on the breath or the spine can bring to the performer.
Alison Hodge on Actor Training
Interview
(2016)

Backstage: The Comedy of Errors

In this unique insight into the secret world of backstage, Digital Theatre go behind the scenes at the Clapham Community Project during the RSC and Told by an Idiot’s young people’s production of The Comedy of Errors.
Interview
(2012)

Key Analysis: Julia Ford on Lady Macbeth

Julia Ford took to the Liverpool Everyman to play opposite David Morrissey in Gemma Bodinetz’s post-apocalyptic Macbeth. Ford considers how Lady Macbeth was able to persuade her husband to commit murder, and explains how she, as an actor, interprets Shakespeare’s words – and silences.
Interview
(2012)

On Acting: David Morrissey

Liverpool Everyman Youth Theatre alumnus David Morrissey returned to the iconic venue to take on the title role in Macbeth. Morrissey considers Macbeth’s psychological decline, the character’s relationship with the audience and explains why, in times of political turmoil, Shakespeare remains as relevant as ever.
David Morrissey on acting Macbeth
Interview
(2012)

On Acting: Julia Ford

Julia Ford took to the Liverpool Everyman to play opposite David Morrissey in Gemma Bodinetz’s post-apocalyptic reimagining of Macbeth. Ford reflects on the clues in Shakespeare’s writing and how she makes use of the spaces in between, as well as explaining her interpretation of this controversial character.
Interview
(2012)

Playing Juliet: Ellie Kendrick

Ellie Kendrick played Juliet in Dominic Dromgoole's 2009 production, staged at Shakespeare's Globe.

Ellie shares how she thinks Shakespeare was able to write a teenage girl so accurately and how interrogating the text revealed Juliet as a much more radical and gothic character.

Actor Ellie Kendrick discusses taking on one of Shakespeare's most famous female leads, Juliet Capulet
Interview
(2014)