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Eben Figueiredo (Hamlet) sitting around a table in a rehearsal room with Miranda Cromwell.
Miranda Cromwell

In Defence of Character - Hamlet - Context and Analysis

Digital Theatre
Workshop
Miranda Cromwell

In Defence of Character - Hamlet - Context and Analysis

Digital Theatre
Workshop
Eben Figueiredo meets with director Miranda Cromwell to read through Hamlet’s soliloquy from Act 3, Scene 1 of Hamlet to establish context and make some interpretive decisions.
Eben Figueiredo (Hamlet) sitting in an interrogation room with a table in front of him.
Miranda Cromwell

In Defence of Character - Hamlet - The Interrogation

Digital Theatre
Interview
Miranda Cromwell

In Defence of Character - Hamlet - The Interrogation

Digital Theatre
Interview
Eben Figueiredo is in the hot seat as Hamlet and charged with an offence relating to his actions in the play. He must plead guilty or innocent, stating his case and defending his position as the other characters are called upon as witnesses.
Patsy Ferran and Miranda Cromwell | In Defence of Character - Portia - Context and Analysis (Digital Theatre+)
Miranda Cromwell

In Defence of Character - Portia - Context and Analysis

Digital Theatre
Workshop
Miranda Cromwell

In Defence of Character - Portia - Context and Analysis

Digital Theatre
Workshop
Patsy Ferran meets with director Miranda Cromwell to read through Portia’s soliloquy from Act 4, Scene 1 of The Merchant of Venice to establish context and make some interpretive decisions.
Patsy Ferran (Portia) sitting in an interrogation room with a table in front of her.
Miranda Cromwell

In Defence of Character - Portia - The Interrogation

Digital Theatre
Interview
Miranda Cromwell

In Defence of Character - Portia - The Interrogation

Digital Theatre
Interview
Patsy Ferran is in the hot seat as Portia and charged with an offence relating to her actions in the play. She must plead guilty or innocent, stating her case and defending her position as the other characters are called upon as witnesses.
Lloyd Hutchinson (Prospero) sitting around a table in a rehearsal room with Miranda Cromwell.
Miranda Cromwell

In Defence of Character - Prospero - Context and Analysis

Digital Theatre
Workshop
Miranda Cromwell

In Defence of Character - Prospero - Context and Analysis

Digital Theatre
Workshop
Lloyd Hutchinson meets with director Miranda Cromwell to read through Prospero’s soliloquy from Act 5, Scene 1 of The Tempest to establish context and make some interpretive decisions.
Lloyd Hutchinson (Prospero) sitting in an interrogation room with a table in front of him.
Miranda Cromwell

In Defence of Character - Prospero - The Interrogation

Digital Theatre
Interview
Miranda Cromwell

In Defence of Character - Prospero - The Interrogation

Digital Theatre
Interview
Lloyd Hutchinson is in the hot seat as Prospero and charged with an offence relating to his actions in the play. He must plead guilty or innocent, stating his case and defending his position as the other characters are called upon as witnesses.
Akiya Henry (Viola) sitting around a table in a rehearsal room with Miranda Cromwell.
Miranda Cromwell

In Defence of Character - Viola - Context and Analysis

Digital Theatre
Workshop
Miranda Cromwell

In Defence of Character - Viola - Context and Analysis

Digital Theatre
Workshop
Akiya Henry meets with director Miranda Cromwell to read through Viola’s soliloquy from Act 2, Scene 2 of Twelfth Night to establish context and make some interpretive decisions.
This is a mid-shot of Michael Dobson and Peter Holbrook. Dobson sits on the left in a blue shirt with a blue patterned tie, white trousers and a pair of glasses. On his right is Holbrook who wears a white shirt, navy blazer, beige trousers and dark rimmed glasses, he gesticulates with both hands. Behind them is a wooden fireplace with acorns in.

Michael Dobson in Conversation with Peter Holbrook

Digital Theatre
Interview

Michael Dobson in Conversation with Peter Holbrook

Digital Theatre
Interview
Director of The Shakespeare Institute Michael Dobson and outgoing President of The International Shakespeare Association Peter Holbrook discuss Shakespeare as a global phenomenon during the RSC and University of Birmingham's Radical Mischief Conference in 2018.
Akiya Henry (Viola) sitting in an interrogation room with a table in front of her.
Miranda Cromwell

In Defence of Character - Viola - The Interrogation

Digital Theatre
Interview
Miranda Cromwell

In Defence of Character - Viola - The Interrogation

Digital Theatre
Interview
Akiya Henry is in the hot seat as Viola and charged with an offence relating to her actions in the play. She must plead guilty or innocent, stating her case and defending her position as the other characters are called upon as witnesses.
A black slate with white font reads 'Worlds of Performance, Anuradha Kapur in Conversation with Richard Gough'.

Worlds of Performance: Anuradha Kapur in Conversation with Richard Gough

Digital Theatre
Interview

Worlds of Performance: Anuradha Kapur in Conversation with Richard Gough

Digital Theatre
Interview
Indian professor and director Anuradha Kapur about her work as an artist-scholar, the transmission of performance knowledge and the influence of the Ramlila of Ramnagar and Kutiyattam on her practice and scholarship.
Here are 4 separate images of the writers. Starting in the top left we have Lee Hall, to the right of him Diane Samuels, beneath her Bryony Lavery and to her left Alecky Blythe.

Writers - Practice and Process

Digital Theatre
Interview

Writers - Practice and Process

Digital Theatre
Interview
Lee Hall defines the power of transformation and imagination, Diane Samuels talks about the nature of nurturing your craft, Alecky Blythe describes the process of trusting your instincts and Bryony Lavery focuses on getting to the 'spine of a scene'.
Worlds of Performance: Bruce Gladwin in Conversation with Richard Gough (Digital Theatre+)

Worlds of Performance: Bruce Gladwin in Conversation with Richard Gough

Digital Theatre
Interview

Worlds of Performance: Bruce Gladwin in Conversation with Richard Gough

Digital Theatre
Interview
Bruce Gladwin, the Artistic Director of Australian theatre company Back to Back, discusses his work to bring marginalised communities to the stage, the politics of language and some of the company’s recent productions.