‘Meetings with Directors’: Lecture given by Peter Brook with Richard Eyre

In the inaugural annual Directors Guild Peter Brook Lecture, Brook gives intimate insight into his life and career, revealing how he came to be a theatre director after intending to work in film. Brook considers the importance of directors coming together in fellowship and explains why an interest in people is a prerequisite of the job.
Directors Guild
(2010)
Lecture

Timelapse Set Build: LIFT

Filmed over a day in London's renowned Soho Theatre, this timelapse video chronicles the installation process of the intricate set for LIFT, a new musical developed by Perfect Pitch.

Featuring a raised floor and neon strip lighting, watch as technicians construct the set from scratch.

Created by Perfect Pitch. Filmed and edited by Wayne Eagles.

Technicians construct the LIFT set at Soho Theatre
Perfect Pitch
(2014)
Documentary

Thomas Richards on Working with Jerzy Grotowski

In this personal account of his life and work, Thomas Richards talks about art, identity, his time as a student at Yale University, his apprenticeship with Jerzy Grotowski, and his eventual inheritance of the Workcenter in Pontedera, Italy.
Digital Theatre
(2016)
Interview

Theatre of the Oppressed

This remarkable archival footage of early games and workshops run by Augusto Boal around the world shows the transformative, liberating nature of his work. Exploring three of his main methods – Invisible Theatre, Forum Theatre and Legislative Theatre – this documentary by Jeanne Dosse explains how each of these methods work in practice.
Augusto Boal
Instituto Augusto Boal
(1971)
Documentary

Theatre Lives: Michael Grandage

Michael Grandage explains, to Digital Theatre+’s Fiona Lindsay, why he dislikes the term ‘revival’, how an old play must become new for a company to ‘crack’ it, and talks of bringing current work into perspective through the past.
Theatre Lives
(2016)
Interview

Theatre Lives: Juliet Stevenson

"I think everything I have experienced in my life is both things. When you give birth to your first child, it's the most extraordinary event you will ever have encountered; but of course giving birth is the most ordinary thing. The same is true of death, presumably. All the great events in our lives are both ordinary and extraordinary."
Theatre Lives
(2016)
Interview

Theatre Lives: Julie Walters

"We're attracted to the weaker and darker sides of ourselves, because that's what we are trying to solve all the time, I think - our vulnerabilities and our fears. That's why it's great to play them, to share them. You're sharing your own puzzles and people are watching because they want to solve the conundrum."
Julie Walters in conversation with Fiona Lindsay
Theatre Lives
(2016)
Interview

Theatre Lives: Imelda Staunton

“The writer is the thing. Sometimes I feel that I haven’t really earned the accolades – I didn’t write it, I’m only saying it out loud really. But when those big parts come along you do have a huge responsibility, and I will rise to that because I am my worst critic... So it's exhausting doing theatre, but wonderful.”
Imelda Staunton
Theatre Lives
(2016)
Interview

Theatre Lives: Adrian Lester

Adrian Lester talks to Digital Theatre+'s Creative Producer about the roles and industry realities he has encountered in his career, from speaking without words to walking in women's shoes. Lester explains how drama school teaches aspiring actors about graft, how mastering Taekwondo helped focus him as a performer, how roots aren't necessarily geographical, and how he will always, ultimately, return to the stage.
Theatre Lives
(2016)
Interview

The Shakespeare Series... Part 4: Conflict

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of conflict with reference to Titus Andronicus, King Lear and A Midsummer Night’s Dream.
Digital Theatre
(2017)
Interview

The Shakespeare Series... Part 3: Family

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of family with reference to Macbeth, King Lear and The Merry Wives of Windsor.
Digital Theatre
(2017)
Interview

The Shakespeare Series... Part 2: Love

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of love and sex with reference to Romeo and Juliet, The Taming of the Shrew, Othello and A Midsummer Night’s Dream.
Digital Theatre
(2017)
Interview

The Shakespeare Series... Part 1: Gender

Professor Kate McLuskie, former Director of the Shakespeare Institute, leads two directors – Lucy Bailey and Phillip Breen – and two actors – Ray Fearon and Zoe Waites – in an in–depth discussion of gender with reference to Julius Caesar and As You Like It.
Digital Theatre
(2017)
Panel Discussion

The Salon: Director & Designer

The Salon Project : a new music theatre event inspired by the rituals of the 19th century salon.
The Salon: Director & Designer
HiBROW
Interview

The Land of Yes and The Land of No Rehearsals 2

A brief glimpse of rehearsals for Raf Bonachela’s stage production of The Land of Yes and the Land of No
The Land of Yes and The Land of No Rehearsals 2
HiBROW
Documentary

The Land of Yes and The Land of No Rehearsals 1

A brief glimpse of rehearsals for Raf Bonachela’s stage production of The Land of Yes and the Land of No.
The Land of Yes and The Land of No Rehearsals 1
HiBROW
Documentary

The Director's Creative Process

Artistic Director Michael Buffong directed Talawa Theatre Company’s 2016 production of King Lear at the Royal Exchange. Here, Buffong considers his creative decisions, giving first-hand insight into a director’s process.
Talawa
(2017)
Interview

Taming Kate: Lisa Dillon

Lisa Dillon has played a number of Shakespeare's women in her career to date, but none more physically than Kate from The Taming of the Shrew. Lisa explains why she has historically been turned off Shakespeare, how interrogating the idea of a modern-day shrew lead her to create Kate as an outrageous mess of a woman, and why she rejects the scholarship around the character.

Digital Theatre
(2016)
Interview

Talking About Plays... Woyzeck: An Interview with Daniel Kramer

Daniel Kramer, director and Artistic Director of English National Opera, considers how the unfinished fragments of the text allow for multiple interpretations, explaining the choices made for his own 2004 production. In addition, he analyses how the male gaze informed the lead female's animalistic characterisation, discusses the value of sound in translation, and encourages those studying the text to interrogate their own situations in order to understand the work.
Talking About Plays
(2016)
Interview

Talking About Plays... Thérèse Raquin: An Interview with Dan Rebellato

Dan Rebellato, playwright and academic, discusses the narrative changes required for the story's consumption by a theatre audience, Zola's controversial position as a member of the emergent class of intellectual critics, and what the play's key moments tell us about 19th-century French society.
Talking About Plays
(2016)
Interview

Talking About Plays... The Works of Noël Coward: An Interview with Alan Brodie and Geoffrey Johnson

Alan Brodie, agent for the Noël Coward Estate, and Geoffrey Johnson, a personal friend of Coward's, discuss the life and work of one of Britain's most renowned entertainers.
Talking About Plays
(2016)
Interview

Talking About Plays... The House of Bernarda Alba: An Interview with Bijan Sheibani

Bijan Sheibani, theatre director, uncovers Lorca's passionate interest in natural forces, interrogates the role of off-stage love interest Pepe Romano, and explains why, for a play about women, the piece is surprisingly biographical.
Talking About Plays
(2016)
Interview

Talking About Plays... The Government Inspector: An Interview with Roxana Silbert

Roxana Silbert, Artistic Director of Birmingham Repertory Theatre, discusses Gogol's personal eccentricities, Tsar Nicholas I's surprising support for the work, and the difficulties present in translating a text across both time and language.
Talking About Plays
(2016)
Interview

Talking About Plays... The Entertainer: An Interview with Sean Holmes

Sean Holmes, Artistic Director of the Lyric Hammersmith, explores the play's modern parallels and discusses why Osborne's bold, frank and 'kitchen sink realism' approach to playwriting has seen The Entertainer endure across the decades.
Talking About Plays
(2016)
Interview

Talking About Plays... The Accrington Pals: An Interview with Rebecca Gatward

Director Rebecca Gatward shares her experience of having twice-directed Peter Whelan's 1981 play. She explores the characters' origins in Whelan's own family history, the beauty of prose akin to working class poetry, and how the text lends itself so well to today's political landscape.
Talking About Plays
(2016)
Interview