"All the World's a Stage": A Guide to Teaching World Theatre

This Digital Theatre+ Guide, written by freelance international theatre practitioner and writer Dinos Aristidou, provides support for engaging with theatre practices from around the world and includes a series of useful activities focusing on research, performance and aesthetics to use in the classroom.
Digital Theatre
(2017)
Guide

A Guide to a Career in Acting

This exclusive Digital Theatre+ resource offers a whole host of information on how to get the best foundation training for performing on stage. Written by professional actor and acting coach Tilly Blackwood, who founded the Audition Doctor, this invaluable guide provides a personal account on how to begin a career in acting.
Digital Theatre
(2017)
Guide

A Guide to a Career in Stage Management

This exclusive Digital Theatre+ introductory guide contains all the essential information for anyone interested in a career in stage management, from finding the right qualification and training to applying for your first job. Written by stage manager Zoë Cotton, this valuable resource offers practical advice by an industry expert who demonstrates how developing skills, gaining experience and making connections can provide exciting opportunities for the future.
Digital Theatre
(2017)
Guide

A Guide to Active Analysis in Rehearsal

This exclusive Digital Theatre+ guide aims to contextualise Active Analysis in Rehearsal: A Documentary Learning Resource – a collaborative research project between undergraduates and faculty at the University of California, Riverside, led by Bella Merlin. This accompanying guide provides more information on the process of putting Konstantin Stanislavsky’s method into practice.
Digital Theatre
(2018)
Guide

A Guide to Kneehigh

This Digital Theatre+ and DramaWorks guide provides a useful introduction to British theatre company Kneehigh. Covering their key productions, history and unique style, this invaluable resource also offers practical-based exercises using Kneehigh techniques which can be adapted and used in the classroom to inspire teamwork, experimentation and improvisation.
DramaWorks
(2017)
Guide

A Guide to Masterclasses in the Michael Chekhov Technique

This guide is designed to support the viewing of Masterclasses in the Michael Chekhov Technique. Written by Jessica Cerullo, Managing Director of MICHA (Michael Chekhov Association), this guide provides further exploration of Chekhov’s practices, and includes a reading list, glossary of terms and guiding questions.
Digital Theatre
(2017)
Guide

A Guide to Teaching Shakespeare with DT+ | AS & A Level English Literature

This exclusive Digital Theatre+ Guide was specifically designed to support and enhance the teaching of Shakespeare set texts for AS & A Level English Literature. Providing access to an abundance of written and filmed content on DT+, this bespoke guide aims to supply the tools to help facilitate learning opportunities by revealing how to make the most of DT+ resources.
Digital Theatre
(2017)
Guide

A Guide to Teaching Shakespeare with DT+ | GCSE English Literature

This exclusive Digital Theatre+ Guide was specifically designed to support and enhance the teaching of Shakespeare set texts for GCSE English Literature. Providing access to an abundance of written and filmed content on DT+, this bespoke guide aims to supply the tools to help facilitate learning opportunities by revealing how to make the most of DT+ resources.
Digital Theatre
(2017)
Guide

A-Z of Technical Theatre

This Digital Theatre+ Guide, written by stage manager Zoë Cotton, provides an A-Z list of all the people involved in the technical side of theatre production. From choreographers to lighting designers and wardrobe assistants, this unique resource offers a brief insight into each role and how they contribute to bringing a performance to life.
Digital Theatre
(2017)
Guide

Acting

The Senior Lecturer in the Department of Drama and Theatre Arts at the University of Birmingham, Rose Whyman, provides an introduction to the various approaches to acting. Whyman explores the development of drama and acting processes, from the use of rhetoric in Ancient Greece to Konstantin Stanislavsky’s Method, and details the differences between an actor representing an emotion and experiencing emotion.
Digital Theatre
(2018)
Concise Introduction

Aeschylus

Mark Fortier, Professor at the University of Guelph in Canada, provides an introduction to Aeschylus – a playwright often referred to as the father of tragedy. Fortier explores the influence of Greek mythology on Aeschylus’s key works, draws on contemporary examples and critical theory, and considers the impact of Greek tragedy on theatre and performance throughout history.
Digital Theatre
(2017)
Concise Introduction

Alfred Jarry

David Zinder, Emeritus Professor of the Theatre Arts Department at Tel Aviv University, explores the work of French writer Alfred Jarry (1873-1907). Zinder details how Jarry’s creative works paved the way for early avant-garde movements such as Futurism, Dada and Surrealism, and considers the relationship between his most famous play, Ubu Roi, and his invented philosophy known as ‘Pataphysics.
Digital Theatre
(2018)
Concise Introduction

Anton Chekhov

Rhonda Blair, Professor in the Division of Theatre at the Southern Methodist University in Dallas, provides an overview of the life of Russian playwright and short story writer Anton Chekhov. Blair considers how Chekhov’s plays capture the complexity and richness of human experience, affirming his place as one of the most influential writers of European theatre.
Digital Theatre
(2017)
Concise Introduction

Aristophanes

Michael M. Chemers, Associate Professor of Dramatic Literature at the University of California in Santa Cruz, introduces one of the most celebrated comic playwrights of all time, Aristophanes. Chemers examines some of Aristophanes' surviving works, including Lysistrata and The Clouds, and considers how his plays were influenced by both the politics and the philosophy of the time.
Digital Theatre
(2017)
Concise Introduction

Arthur Miller

Ed Madden, Theatre Director and Creative Associate at Gate Theatre, provides an introduction to one of the greatest writers of the 20th century, Arthur Miller (1915-2005). Madden explores the recurring themes in Miller’s work, including the American Dream, post-war American society and the impact of capitalism, and considers how they continue to resonate in productions around the world.
Concise Introduction
(2018)

Audience

Professor of Theatre and Dance at Texas Tech University Dorothy Chansky provides an introduction to the role of the audience in relation to theatre and performance. Chansky examines how the perception of audience has changed throughout history and considers the way different forms of theatre offer further exploration into the audience as a performing phenomenon.
Digital Theatre
(2017)
Concise Introduction

August Strindberg

The Fletcher Professor of Drama and Oratory at Tufts University, Laurence Senelick, provides an introduction to Swedish dramatist August Strindberg (1849-1912). Senelick considers how Strindberg’s personal experience directly influenced his work and highlights how he intensely explored the complexities of the ego, providing an alternative approach to conventional stage behaviour with the ever-changing personalities of his characters.
Digital Theatre
(2018)
Concise Introduction

August Wilson

Isaiah Wooden, Assistant Professor of Performing Arts at the American University, presents the two-time Pulitzer Prize-winning playwright August Wilson. Wooden examines Wilson’s internationally acclaimed 10-play Century Cycle, which explores African-American life, experience and history, making Wilson one of the most significant and influential American artists of the 20th and 21st centuries.
Concise Introduction
(2017)

Australian Theatre

Peta Tait, Professor of Theatre and Drama at La Trobe University in Melbourne, provides an introduction to Australian theatre. Referring to key practitioners who have impacted Australia’s theatrical landscape, Tait considers how explorations of Aboriginal culture and postcolonial concepts have developed into two distinctive modes of performance which incorporate aspects of Australia’s multicultural society in the 21st century.
Digital Theatre
(2017)
Concise Introduction

Ben Jonson

Independent Scholar Tobin Nellhaus provides an overview of Renaissance playwright Ben Jonson. Nellhaus explores how Jonson was deeply influenced by classical literature, aiming to absorb their values and styles to address societal issues of his time, and how he succeeded to raise the status of drama in 17th-century Britain through the publishing of his works. 
Digital Theatre
(2017)
Concise Introduction

Brian Friel

Ed Madden, Theatre Director and Creative Associate at Gate Theatre, provides an introduction to Irish playwright Brian Friel. Referring to some of Friel’s best-known plays such as Translations and Dancing at Lughnasa, Madden explores how his work questions the connection between language, culture and identity, and considers how his legacy influenced a generation of playwrights who followed him.
Digital Theatre
(2017)
Concise Introduction

Butoh

Rosemary Candelario, Associate Professor of Dance at Texas Woman’s University, introduces the avant-garde, Japanese dance form of butoh. Candelario explores the development of butoh through the work and collaboration of Tatsumi Hijikata and Kazuo Ohno who experimented with aesthetics of darkness, taboo topics and the role of the body in creating meaning in society.
Digital Theatre
(2018)
Concise Introduction

Caryl Churchill

Ed Madden, Theatre Director and Creative Associate at Gate Theatre, introduces British playwright Caryl Churchill. Madden explores Churchill’s works in-depth and considers how her experimentation with language, the collaborative process with Joint Stock and the strong political and feminist content of her work has led her to become one of the greatest living dramatists in the UK.
Digital Theatre
(2017)
Concise Introduction

Catharsis

Independent Scholar Tobin Nellhaus provides an introduction to catharsis - a term associated with Aristotle’s definition of tragedy and the purgation of emotions. Nellhaus explores various interpretations of catharsis and considers how the relationship it draws between the play, the audience and a particular set of emotions, such as fear and pity, has developed significantly over time.
Digital Theatre
(2018)
Concise Introduction

Christopher Marlowe

The Associate Professor of Dramatic Literature at the University of California in Santa Cruz, Michael M. Chemers, provides an overview of British 16th-century playwright Christopher Marlowe. Chemers explores some of Marlowe's most popular works, including Edward II and Doctor Faustus, and considers how he became one of the most celebrated tragedians during a time of vibrant theatrical activity in London.
Digital Theatre
(2017)
Concise Introduction