"All the World's a Stage": A Guide to Teaching World Theatre

This Digital Theatre+ Guide, written by freelance international theatre practitioner and writer Dinos Aristidou, provides support for engaging with theatre practices from around the world and includes a series of useful activities focusing on research, performance and aesthetics to use in the classroom.
Guide
(2017)

August Wilson

Isaiah Wooden, Assistant Professor of Performing Arts at the American University, presents the two-time Pulitzer Prize-winning playwright August Wilson. Wooden examines Wilson’s internationally acclaimed 10-play Century Cycle, which explores African-American life, experience and history, making Wilson one of the most significant and influential American artists of the 20th and 21st centuries.
Encyclopedia Entry
(2017)

Intercultural Theatre

Associate Professor of Theatre Studies at the University of Melbourne Paul Rae provides an overview of intercultural theatre – a theatre which involves participants coming together from all over the world to share cultural forms, practices and worldviews. Rae details the history, theory and practice of intercultural theatre and refers to the work of key practitioners who have been influential in its development.
Encyclopedia Entry
(2017)

Tony Kushner

The Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at CUNY, Marvin Carlson, introduces the multi-award winning playwright Tony Kushner. Covering history, methods and aims, Carlson provides an overview of Kushner’s works, collaborations and political impact, affirming his place as one of the most prominent and honoured contemporary American playwrights.
Encyclopedia Entry
(2017)

Wilful Distraction: Katie Mitchell, Auteurism and the Canon | A lecture by Tom Cornford

Tom Cornford discusses Katie Mitchell’s productions of Lucia di Lammermoor, Miss Julie and The Cherry Orchard, examining her innovative stagings and the critical response to them. Cornford unpacks the criticisms that she is a European-style auteur, and explores her scenographic distractions, and her radical interpretations highlighting issues of class, gender and power relations.
Lecture
(2017)

Guillermo Gómez-Peña

The Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at CUNY, Marvin Carlson, introduces one of America’s best-known performance artists, Guillermo Gómez-Peña. Carlson considers how issues of immigration and border and cross-cultural questions have been central to Gómez-Peña’s work and explores his role in founding the transdisciplinary and politically engaged performance group, La Pocha Nostra.
Encyclopedia Entry
(2017)

Practical Workshop Guide | Cloud 9

The aim of this Digital Theatre+ Practical Workshop Guide is to deepen and enrich understanding of the play as a blueprint for performance, encouraging the student to approach the material using the investigative and interpretive methods of the actor, director or voice coach.
Practical Guide
(2016)

Suzan-Lori Parks

Marvin Carlson, the Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at CUNY, presents the Pulitzer Prize-winning playwright, novelist, screenwriter and musician, Suzan-Lori Parks. Carlson outlines Parks’ innovative work on dramatic structure, character and language, and how her plays address some of the most complex issues in modern American society. Contains strong language.
Encyclopedia Entry
(2017)

The Wooster Group

Marvin Carlson, the Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at CUNY, provides an overview of The Wooster Group. Considered one of the most important experimental theatre companies of late 20th-century America, Carlson explores the Group’s use of multimedia, lip-syncing and various other methods that challenge the performance traditions of mainstream American theatre.
Encyclopedia Entry
(2017)

The Stage Archive: Peter Coe’s Macbeth at the Round House

This review, written by R.B. Marriott, describes an all-black production of Macbeth, in which there is a “strong sense of human beings working out their fate within a world of ancient superstition.” Marriott’s commentary gives an insight into cultural attitudes to non-western theatre in the early 1970s.
The Stage
(1972)
Review

"Surviving surviving": Irving Roth

Irving Roth tells of his experiences as a Holocaust survivor in a world where the number of living survivors has started to wane.

Asked to share his deeply moving story in schools across the USA, Roth reflects on the importance of young people in ensuring that these last voices of the Holocaust are documented.

Survivor Irving Roth highlights the importance of survivors' stories in forming Holocaust history
National Jewish Theater
(2014)
Documentary

I Will Refuse to Bubble: History and Theater as Defiance

I Will Refuse to Bubble - History and Theater as Defiance is a documentary film by Ron Kopp highlighting the importance of theatre in understanding the world's most incomprehensible events. Its title comes from a quote from Survivor and Director of the Holocaust Resource Center, Temple Judea of Manhasset, Irving Roth.

Greg Mullavey as 'Milton' and Andi Potemkin as 'Annie' face each other, smiling, with Andi's hand on Greg's on her cheek
National Jewish Theater
(2012)
Interview

Shakespeare Uncovered: David Harewood on Othello

Astonishingly, David Harewood was the first black actor to play the great Moorish Venetian general Othello at London’s National Theatre, triumphantly taking on the role - but not until 1997. Now he returns to the play to discover how the centuries have changed our views of it.

BBC Studios
(2013)
Documentary

Shakespeare Uncovered: Trevor Nunn on The Tempest

Director Trevor Nunn looks at the magical and mysterious world created in Shakespeare's last complete play, The Tempest. Trevor finds out where Shakespeare got his material from and the strange personal insights hidden within it. It is a truly experimental work but sadly perhaps also Shakespeare's farewell to the theatre. 

BBC Studios
(2012)
Documentary

Talking About Plays... Girls: An Interview with Michael Buffong

Michael tells of Talawa's role in helping emerging playwright Ikoko develop the work, how a perfect cast is like an orchestra, and why the play's resonance won Ikoko both the Alfred Fagon (2015) award and George Devine (2016) awards. Most recently, Ikoko swooped the Channel 4 Playwrights' award for Girls itself, earning her a year-long placement with theatre company, HighTide.
Talking About Plays
(2016)
Interview

Talking About Plays... Red Velvet: An Interview with Lolita Chakrabarti and Indhu Rubasingham

Lolita Chakrabarti, playwright of Red Velvet, and Indhu Rubasingham, Artistic Director of the Tricycle Theatre, talk about how their long-term collaborative relationship enabled the story to finally make it to the stage.
Talking About Plays
(2016)
Interview

Talking About Plays... Shakespeare and Orientalism: An Interview with Abdulla Al-Dabbagh

Exploring the politics and portrayal of the Other, Abdulla Al-Dabbagh, a professor of English Literature, analyses texts throughout Shakespeare's canon, including Othello, Romeo and Juliet, The Merchant of Venice, Antony and Cleopatra, Hamlet and King Lear.
Talking About Plays
(2016)
Interview

Understanding a World View of Theatre

In Summer 2016, Digital Theatre+'s Creative Producer, Fiona Lindsay, conducted a live-broadcast Q&A session with former International Baccalaureate Chief Examiner Richard Gough, discussing his decades of experience in understanding the concept of world, or intercultural, theatre.
Interview
(2016)