Aeschylus

Mark Fortier, Professor at the University of Guelph in Canada, provides an introduction to Aeschylus – a playwright often referred to as the father of tragedy. Fortier explores the influence of Greek mythology on Aeschylus’s key works, draws on contemporary examples and critical theory, and considers the impact of Greek tragedy on theatre and performance throughout history.
Digital Theatre
(2017)
Audio Theatre

Anton Chekhov

Rhonda Blair, Professor in the Division of Theatre at the Southern Methodist University in Dallas, provides an overview of the life of Russian playwright and short story writer Anton Chekhov. Blair considers how Chekhov’s plays capture the complexity and richness of human experience, affirming his place as one of the most influential writers of European theatre.
Digital Theatre
(2017)
Concise Introduction

Ben Jonson

Independent Scholar Tobin Nellhaus provides an overview of Renaissance playwright Ben Jonson. Nellhaus explores how Jonson was deeply influenced by classical literature, aiming to absorb their values and styles to address societal issues of his time, and how he succeeded to raise the status of drama in 17th-century Britain through the publishing of his works. 
Digital Theatre
(2017)
Concise Introduction

Director's Notebook | Julius Caesar

Digital Theatre+ Director Notebooks provide an invaluable insight into professional directors’ rehearsal notes, personal processes and directorial intentions for staging a play. Covering critical thinking and practical approaches, these exclusive resources aim to give an understanding of the various ways a text can be interpreted and presented to an audience.
Digital Theatre
(2017)
Director Notebooks

Fast Pass Revision Guide | AS/A level English Literature

Digital Theatre+ Fast Pass Revision Guides are designed for students to quickly access a range of resources available for their subject. Directing students to various forms of content such as productions, interviews, essays and documentaries, these guides cover texts from Renaissance to 20th-century drama.
Digital Theatre
(2017)
Revision Guide

Fast Pass Revision Guide | GCSE English Literature

Digital Theatre+ Fast Pass Revision Guides are designed for students to quickly access a range of resources available for their subject. Directing students to various forms of content such as productions, interviews, essays and documentaries, these guides cover texts from Renaissance to 20th-century drama.
Digital Theatre
(2017)
Revision Guide

Headlong

Catherine Love, freelance arts journalist, theatre critic and researcher at Royal Holloway, University of London, provides an introduction to British touring theatre company Headlong. Love explores the company’s key works, including a variety of new writing, re-imagined classics and 20th-century plays, and highlights Headlong’s reputation for its innovative practice, use of digital technology and creative partnerships.
Digital Theatre
(2018)
Concise Introduction

Jacques Lecoq

Rick Kemp, Professor of Acting and Directing at the Indiana University of Pennsylvania, provides an overview of the life and work of renowned theatre practitioner, Jacques Lecoq. Famous for creating an approach that uses movement analysis, improvisation and collective creation to teach theatre, Lecoq’s work has, and continues to be, recognised and revered globally.
Digital Theatre
(2017)
Concise Introduction

Julie Taymor

Marvin Carlson, the Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at CUNY, outlines the history, aims and practice of the Tony Award-winning director, Julie Taymor. Detailing her work, including the extremely successful Broadway creation, The Lion King, Carlson affirms Taymor’s position as one of the most innovative American directors of theatre, opera and film.
Digital Theatre
(2017)
Concise Introduction

Katie Mitchell

Senior Lecturer at the University of Birmingham's Department of Drama and Theatre Arts Adam J. Ledger introduces the innovative and award-winning British theatre director Katie Mitchell. Exploring Mitchell’s experimental theatre methods, and the influence of psychology and the environment on her work, Ledger considers how her productions combine physical and emotional behaviour with theatrical imagery and inventiveness.
Digital Theatre
(2017)
Concise Introduction

Katie Mitchell and the Politics of Naturalist Theatre | Dan Rebellato and Kim Solga in conversation

Dan Rebellato and Kim Solga explore the ethics and aesthetics within Katie Mitchell’s oeuvre. Solga considers the inherent feminist politics of Mitchell’s work, and Rebellato places it within the historical context of naturalism, leading to a detailed discussion of Sarah Kane’s radical naturalism and Mitchell’s production of Cleansed.
Digital Theatre
(2017)
Interview

Kneehigh

Duška Radosavljević, Reader in Contemporary Theatre and Performance at the Central School of Speech and Drama, provides an overview of British theatre company Kneehigh. Radosavljević explores the company’s history, aims and methods, referring to their regular collaborators, their connection to the term ‘community’ and their highly visual storytelling style which has gained them international recognition.
Digital Theatre
(2017)
Concise Introduction

Mike Alfreds

Duška Radosavljević, Reader in Contemporary Theatre and Performance at the Central School of Speech and Drama, provides an introduction to director and teacher Mike Alfreds. Radosavljević explores Alfreds’ successful career, from founding the ensemble company Shared Experience to the development of his work on the actor as the most essential and indispensable element of theatre.
Digital Theatre
(2017)
Concise Introduction

Pantomime

Robert Leach, Former Reader in Drama and Theatre at the University of Birmingham, provides an overview of British pantomime. Leach explores the form’s dramatic development, from the use of Commedia inspired characters and Harlequinade to the introduction of the Dame, and highlights how pantomime raises questions of gender, social stability and the problem of illusion and reality in theatre.
Digital Theatre
(2018)
Concise Introduction

Stages and Screens: Katie Mitchell’s Theatre Aesthetics | Janis Jefferies in conversation with Leo Warner

Janis Jefferies and designer Leo Warner explore Katie Mitchell’s experiments with ‘live cinema’ and work with non-linear narratives. Warner gives detailed insight into his work with Mitchell on Waves, including how the company moved from rehearsal room to stage and used cameras to bridge the divide between text and dramatic experience.
Digital Theatre
(2017)
Interview

Theatre Alibi

Dorinda Hulton, Senior Research Fellow in Drama at the University of Exeter, explores the work of British company Theatre Alibi. Hulton considers the company’s unique storytelling style which incorporates a wide variety of art forms and considers how they create productions for all ages that experiment with both the fantastical and the real.
Digital Theatre
(2018)
Concise Introduction

Verbatim Theatre

Freelance arts journalist, theatre critic and researcher at Royal Holloway, University of London, Catherine Love provides an introduction to verbatim theatre. Love details the challenges that arise from portraying real people on stage and considers how verbatim is best understood not only as a genre but as a theatre-making tool used as just one methodology among many contemporary practitioners.
Digital Theatre
(2018)
Concise Introduction

Wilful Distraction: Katie Mitchell, Auteurism and the Canon | A lecture by Tom Cornford

Tom Cornford discusses Katie Mitchell’s productions of Lucia di Lammermoor, Miss Julie and The Cherry Orchard, examining her innovative stagings and the critical response to them. Cornford unpacks the criticisms that she is a European-style auteur, and explores her scenographic distractions, and her radical interpretations highlighting issues of class, gender and power relations.
Digital Theatre
(2017)
Lecture

William Butler Yeats

Mark Fortier, Professor at the University of Guelph in Canada, introduces poet, playwright and Nobel Prize winner for Literature, William Butler Yeats. Fortier provides an overview of Yeats’ history, aims and practice, detailing how his work was influenced by political issues, and emphasises the importance of his role in the development of Irish Theatre.
Digital Theatre
(2017)
Concise Introduction

Edward Bond

Michael Patterson, Emeritus Professor of Theatre at De Montfort University, Leicester, provides an introduction to British playwright Edward Bond. Patterson explores Bond’s well-known plays, such as Lear and Saved, and considers how the use of violence throughout his work has led to him becoming one of the most controversial and important dramatists of the 21st century. Contains adult content.
Digital Theatre
(2017)
Concise Introduction

John Arden and Margaretta D'Arcy

Robert Leach, Former Reader in Drama and Theatre at the University of Birmingham, introduces John Arden and Margaretta D’Arcy. Leach details their collaboration on a whole host of works considered to be alternative and daring, to the creation of Loose Theatre, which includes various methods and approaches, such as anarchistic discipline, Dionysian guerrilla strategies and collision montage.
Digital Theatre
(2017)
Concise Introduction

Michel Saint-Denis

Emeritus Professor of Drama at Kingston University, Colin Chambers, provides an overview of the life of Michel Saint-Denis, whose work and ideas on acting have influenced theatre practitioners around the world. Chambers details Saint-Denis’ involvement in establishing major theatre companies and studios, including the RSC studio in 1961, and outlines his aim to place the actor at the centre of the theatre.
Digital Theatre
(2017)
Concise Introduction

Peter Gill

Colin Chambers, Emeritus Professor of Drama at Kingston University, presents Peter Gill, the internationally renowned Welsh playwright and director, whose work has influenced the development of British theatre throughout the 20th and 21st centuries. Chambers outlines the history, aims and practice of Gill’s work and explores his role in creating and developing the Riverside Studio and the National Theatre Studio in London.
Digital Theatre
(2017)
Concise Introduction

Practical Workshop Guide | Frankenstein

The aim of this Digital Theatre+ Practical Workshop Guide is to deepen and enrich understanding of the play as a blueprint for performance, encouraging the student to approach the material using the investigative and interpretive methods of the actor, director or voice coach.
Digital Theatre
(2016)
Practical Guide

Rimini Protokoll

The Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at CUNY, Marvin Carlson, provides an overview of German theatre company, Rimini Protokoll. Carlson details the company’s interest in the exploration of everyday reality, and how in just two decades, Rimini Protokoll has become one of the most visible performance organisations in the world.
Digital Theatre
(2017)
Concise Introduction