A Guide to Teaching Shakespeare with DT+ | GCSE English Literature

This exclusive Digital Theatre+ Guide was specifically designed to support and enhance the teaching of Shakespeare set texts for GCSE English Literature. Providing access to an abundance of written and filmed content on DT+, this bespoke guide aims to supply the tools to help facilitate learning opportunities by revealing how to make the most of DT+ resources.
Guide
(2017)

Ben Jonson

Independent Scholar, Tobin Nellhaus, provides an overview of Renaissance playwright Ben Jonson. Nellhaus explores how Jonson was deeply influenced by classical literature, aiming to absorb their values and styles to address societal issues of his time, and how he succeeded to raise the status of drama in 17th-century Britain through the publishing of his works. 
Encyclopedia Entry
(2017)

Director's Notebook | Julius Caesar

Digital Theatre+ Director Notebooks provide an invaluable insight into professional directors’ rehearsal notes, personal processes and directorial intentions for staging a play. Covering critical thinking and practical approaches, these exclusive resources aim to give an understanding of the various ways a text can be interpreted and presented to an audience.
Director Notebooks
(2017)

Fast Pass Revision Guide | GCSE English Literature

Digital Theatre+ Fast Pass Revision Guides are designed for students to quickly access a range of resources available for their subject. Directing students to various forms of content such as productions, interviews, essays and documentaries, these guides cover texts from Renaissance to 20th-century drama.
Revision Guide
(2017)

How to Read, Watch and Write About Plays: The Tempest

This Digital Theatre+ Guide explores the various ways to analyse and engage with Shakespeare’s The Tempest. Providing an opportunity for students to use their theatrical imagination and enhance their writing skills, this invaluable resource also includes practical exercises and references to critical theory to help unravel the multi-layered nature of the text.
Guide
(2017)

Practical Workshop Guide | An Inspector Calls

The aim of this Digital Theatre+ Practical Workshop Guide is to deepen and enrich understanding of the play as a blueprint for performance, encouraging the student to approach the material using the investigative and interpretive methods of the actor, director or voice coach.
Practical Guide
(2017)

Practical Workshop Guide | DNA

The aim of this Digital Theatre+ Practical Workshop Guide is to deepen and enrich understanding of the play as a blueprint for performance, encouraging the student to approach the material using the investigative and interpretive methods of the actor, director or voice coach.
Practical Guide
(2017)

Teacher Toolkit | AQA English Literature

Digital Theatre+ Teacher Toolkits are bespoke resources designed by teachers for teachers. Tailored to each exam board, these toolkits allow immediate access to content available on DT+ for GCSE and A level set texts, and cover assessment tasks and focus areas for the International Baccalaureate Diploma in Theatre.
Teacher Toolkit
(2017)

Teacher Toolkit | OCR English Literature

Digital Theatre+ Teacher Toolkits are bespoke resources designed by teachers for teachers. Tailored to each exam board, these toolkits allow immediate access to content available on DT+ for GCSE and A level set texts, and cover assessment tasks and focus areas for the International Baccalaureate Diploma in Theatre.
Teacher Toolkit
(2017)

Practical Workshop Guide | Frankenstein

The aim of this Digital Theatre+ Practical Workshop Guide is to deepen and enrich understanding of the play as a blueprint for performance, encouraging the student to approach the material using the investigative and interpretive methods of the actor, director or voice coach.
Practical Guide
(2016)

Practical Workshop Guide | A Streetcar Named Desire

The aim of this Digital Theatre+ Practical Workshop Guide is to deepen and enrich understanding of the play as a blueprint for performance, encouraging the student to approach the material using the investigative and interpretive methods of the actor, director or voice coach.
Practical Guide
(2017)

Practical Workshop Guide | Much Ado About Nothing

The aim of this Digital Theatre+ Practical Workshop Guide is to deepen and enrich understanding of the play as a blueprint for performance, encouraging the student to approach the material using the investigative and interpretive methods of the actor, director or voice coach.
Practical Guide
(2016)

Using Digital Technology + Social Media in Practical Theatre Courses

Ezra Le Bank, Associate Professor of Theatre Arts, California State University Long Beach, shares his research into utilising social media and digital technology to support teaching in studio theatre courses. The essay provides practical suggestions to assist educators in considering digital integration in theatrical (or other) courses.
Essay
(2017)

The Stage Archive: Alison Gilby’s Macbeth on the Estate on BBC2

This review, written by Jane Garner, examines Alison Gilby’s Macbeth on the Estate, and how the transfer from lordly Scottish halls to a tough council estate is given sobriety through its inclusion of non-dramatically trained actors and perceptive direction.
The Stage
(1997)
Review

The Stage Archive: Esme Beringer on Lady Macbeth

This piece, while not focused on any one particular production of the Scottish play, is no less important due to its insightful analysis of the character of Lady Macbeth. Authored by Esme Beringer, this critical reflection insists that Lady Macbeth is not the monster she is so often painted as.
The Stage
(1942)
Review

The Stage Archive: Peter Hall's Macbeth at the Royal Shakespeare Theatre

In this review, Eric Johns praises the pace and theatricality of Peter Hall’s RSC revival in Stratford-upon-Avon, focusing his analysis on the central performances, as well as noting the “blood red” that dominates the design.
The Stage
(1967)
Review

The Stage Archive: Shanghai Kunju's Macbeth at the Leith Theatre

This review, written by J.R.L. Reyner, considers whether Western audiences might miss the subtitles of gesture in this Kunju production of the Scottish play, and praises the music, acrobatics, and the ‘quite breathtaking’ performances of the three witches.
The Stage
(1987)
Review

Shakespeare in your Space: Macbeth

This Digital Theatre+ guide, co-created with the Shakespeare Schools Festival, aims to introduce students to Shakespeare’s Macbeth using practical, drama-based exercises.
Practical Guide
(2012)

Shakespeare in your Space: Romeo and Juliet

This Digital Theatre+ guide aims to introduce students to Shakespeare’s Romeo and Juliet using practical, drama-based exercises.
Practical Guide
(2016)

The Stage Archive: Alistair Barrie's Macbeth at the Duke of Cambridge

In this review, Alison Mercer praises the all-female production’s pared down approach to the text, considers the distinction between the representation of physical and psychological violence, and describes the production’s treatment of the famous banquet scene.
The Stage
(1996)
Review

The Stage Archive: George Murcell's Macbeth at St. George’s Theatre

Focus is given to the character arcs of the central couple in this review from R.B. Marriott, in which Macbeth is said to transform from a man with a promising future to a “bloody menace” and Lady Macbeth is portrayed as a woman of “terrible individuality”.
The Stage
(1982)
Review

The Stage Archive: John Durnin's Macbeth at the Northcott Theatre

In this review, Allen Saddler praises the work of the actors, while honing in on the post-modern staging. The greatest effect, in his opinion, is the lighting of Chris Ward, that sees straight beams cut across the action, turning the stage into a cage.
The Stage
(1991)
Review

The Stage Archive: Michael Boyd’s Macbeth at Glasgow's Mayfest

This review by Eva Benjamin details the intense – even terrifying – aesthetic of Michael Boyd’s Macbeth; it comes across as savage, unrelenting, and unafraid to bring forceful physical movement to the action of the play.
The Stage
(1993)
Review

The Stage Archive: Opera North's Macbeth at the Leeds Grand Theatre

In this review, David Blewitt praises the central performance and draws attention to elements of production, including the “gripping” staging and the lighting – “blood red, blue and blinding white.”
The Stage
(1987)
Review

The Stage Archive: Peter Coe’s Macbeth at the Round House

This review, written by R.B. Marriott, describes an all-black production of Macbeth, in which there is a “strong sense of human beings working out their fate within a world of ancient superstition.” Marriott’s commentary gives an insight into cultural attitudes to non-western theatre in the early 1970s.
The Stage
(1972)
Review