Wilful Distraction: Katie Mitchell, Auteurism and the Canon | A lecture by Tom Cornford

Tom Cornford discusses Katie Mitchell’s productions of Lucia di Lammermoor, Miss Julie and The Cherry Orchard, examining her innovative stagings and the critical response to them. Cornford unpacks the criticisms that she is a European-style auteur, and explores her scenographic distractions, and her radical interpretations highlighting issues of class, gender and power relations.

Active Analysis for Twenty-First Century Actors

Sharon Marie Carnicke’s research on Stanislavsky brings his acting practice fully into the 21st century. In particular, her work with Stanislavsky’s ‘Active Analysis’ shows it to be a brilliantly flexible rehearsal technique for the full range of today’s performance styles, including the ‘postdramatic’.