A Guide to Active Analysis in Rehearsal

This exclusive Digital Theatre+ guide aims to contextualise Active Analysis in Rehearsal: A Documentary Learning Resource – a collaborative research project between undergraduates and faculty at the University of California, Riverside, led by Bella Merlin. This accompanying guide provides more information on the process of putting Konstantin Stanislavsky’s method into practice.
Digital Theatre
(2018)
Guide

A Guide to Kneehigh

This Digital Theatre+ and DramaWorks guide provides a useful introduction to British theatre company Kneehigh. Covering their key productions, history and unique style, this invaluable resource also offers practical-based exercises using Kneehigh techniques which can be adapted and used in the classroom to inspire teamwork, experimentation and improvisation.
DramaWorks
(2017)
Guide

Acting

The Senior Lecturer in the Department of Drama and Theatre Arts at the University of Birmingham, Rose Whyman, provides an introduction to the various approaches to acting. Whyman explores the development of drama and acting processes, from the use of rhetoric in Ancient Greece to Konstantin Stanislavsky’s Method, and details the differences between an actor representing an emotion and experiencing emotion.
Digital Theatre
(2018)
Concise Introduction

Audience

Professor of Theatre and Dance at Texas Tech University Dorothy Chansky provides an introduction to the role of the audience in relation to theatre and performance. Chansky examines how the perception of audience has changed throughout history and considers the way different forms of theatre offer further exploration into the audience as a performing phenomenon.
Digital Theatre
(2017)
Concise Introduction

August Wilson

Isaiah Wooden, Assistant Professor of Performing Arts at the American University, presents the two-time Pulitzer Prize-winning playwright August Wilson. Wooden examines Wilson’s internationally acclaimed 10-play Century Cycle, which explores African-American life, experience and history, making Wilson one of the most significant and influential American artists of the 20th and 21st centuries.
Concise Introduction
(2017)

Australian Theatre

Peta Tait, Professor of Theatre and Drama at La Trobe University in Melbourne, provides an introduction to Australian theatre. Referring to key practitioners who have impacted Australia’s theatrical landscape, Tait considers how explorations of Aboriginal culture and postcolonial concepts have developed into two distinctive modes of performance which incorporate aspects of Australia’s multicultural society in the 21st century.
Digital Theatre
(2017)
Concise Introduction

Brian Friel

Ed Madden, Theatre Director and Creative Associate at Gate Theatre, provides an introduction to Irish playwright Brian Friel. Referring to some of Friel’s best-known plays such as Translations and Dancing at Lughnasa, Madden explores how his work questions the connection between language, culture and identity, and considers how his legacy influenced a generation of playwrights who followed him.
Digital Theatre
(2017)
Concise Introduction

Caryl Churchill

Ed Madden, Theatre Director and Creative Associate at Gate Theatre, introduces British playwright Caryl Churchill. Madden explores Churchill’s works in-depth and considers how her experimentation with language, the collaborative process with Joint Stock and the strong political and feminist content of her work has led her to become one of the greatest living dramatists in the UK.
Digital Theatre
(2017)
Concise Introduction

Circus

Peta Tait, Professor of Theatre and Drama at La Trobe University, Melbourne, provides an introduction to the history, theory and practice of the circus. Referring to influential practitioners, significant female performers and contemporary circus companies, Tait considers how the circus continues to amaze audiences around the world with extraordinary physical stunts and evocative acrobatic action.
Digital Theatre
(2017)
Concise Introduction

David Hare

Ed Madden, Theatre Director and Creative Associate at Gate Theatre, provides an introduction to British playwright, screenwriter and director David Hare. Madden examines Hare's successful career, from co-founding experimental touring company Portable to his working relationship with the National Theatre, and explores how his plays often anatomise the ways in which political issues intersect with the personal. Contains strong language.
Digital Theatre
(2017)
Concise Introduction

Director's Notebook | Julius Caesar

Digital Theatre+ Director Notebooks provide an invaluable insight into professional directors’ rehearsal notes, personal processes and directorial intentions for staging a play. Covering critical thinking and practical approaches, these exclusive resources aim to give an understanding of the various ways a text can be interpreted and presented to an audience.
Digital Theatre
(2017)
Director Notebooks

Director's Notebook | The Birthday Party

Digital Theatre+ Director Notebooks provide an invaluable insight into professional directors’ rehearsal notes, personal processes and directorial intentions for staging a play. Covering critical thinking and practical approaches, these exclusive resources aim to give an understanding of the various ways a text can be interpreted and presented to an audience. Contains strong language.
Digital Theatre
(2017)
Director Notebooks

Eugenio Barba

Adam J. Ledger, Senior Lecturer at the University of Birmingham’s Department of Drama and Theatre Arts, introduces the internationally renowned director Eugenio Barba. Ledger details Barba’s role in the development of Odin Teatret and considers his interest in creating a theatre that changes perceptions and forges connections with audiences and communities.
Digital Theatre
(2017)
Concise Introduction

Fast Pass Revision Guide | AS/A level Drama and Theatre

Digital Theatre+ Fast Pass Revision Guides are designed for students to quickly access a range of resources available for their subject. Directing students to various forms of content such as productions, interviews, essays and documentaries, these guides cover texts from Renaissance to 21st-century drama.
Digital Theatre
(2017)
Revision Guide

Fast Pass Revision Guide | GCSE Drama

Digital Theatre+ Fast Pass Revision Guides are designed for students to quickly access a range of resources available for their subject. Directing students to various forms of content such as productions, interviews, essays and documentaries, these guides cover texts from Renaissance to 21st-century drama.
Digital Theatre
(2017)
Revision Guide

Headlong

Catherine Love, freelance arts journalist, theatre critic and researcher at Royal Holloway, University of London, provides an introduction to British touring theatre company Headlong. Love explores the company’s key works, including a variety of new writing, re-imagined classics and 20th-century plays, and highlights Headlong’s reputation for its innovative practice, use of digital technology and creative partnerships.
Digital Theatre
(2018)
Concise Introduction

Immersive Worlds: Designing Katie Mitchell's Theatre | Ben Fowler in conversation with Alex Eales

Scholar Ben Fowler and designer Alex Eales discuss Eales’ collaborations with Katie Mitchell, including his work on Cleansed, Happy Days and Night Train. Eales gives insight into the process of working on a production, including the designer’s role in working with a text and the detailed naturalism of his set and lighting design.
Digital Theatre
(2017)
Interview

Irish Theatre

Professor at the National University of Ireland, Lionel Pilkington, offers an invaluable introduction to Irish Theatre. Referring to key playwrights and practitioners who have been instrumental in its development, such as Samuel Beckett, Pilkington provides an overview of the history, theory and practice of Irish Theatre, and emphasises its importance during a time of political and social unrest.
Digital Theatre
(2017)
Concise Introduction

Jacques Lecoq

Rick Kemp, Professor of Acting and Directing at the Indiana University of Pennsylvania, provides an overview of the life and work of renowned theatre practitioner, Jacques Lecoq. Famous for creating an approach that uses movement analysis, improvisation and collective creation to teach theatre, Lecoq’s work has, and continues to be, recognised and revered globally.
Digital Theatre
(2017)
Concise Introduction

Julie Taymor

Marvin Carlson, the Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at CUNY, outlines the history, aims and practice of the Tony Award-winning director, Julie Taymor. Detailing her work, including the extremely successful Broadway creation, The Lion King, Carlson affirms Taymor’s position as one of the most innovative American directors of theatre, opera and film.
Digital Theatre
(2017)
Concise Introduction

Katie Mitchell

Senior Lecturer at the University of Birmingham's Department of Drama and Theatre Arts Adam J. Ledger introduces the innovative and award-winning British theatre director Katie Mitchell. Exploring Mitchell’s experimental theatre methods, and the influence of psychology and the environment on her work, Ledger considers how her productions combine physical and emotional behaviour with theatrical imagery and inventiveness.
Digital Theatre
(2017)
Concise Introduction

Katie Mitchell and the Politics of Naturalist Theatre | Dan Rebellato and Kim Solga in conversation

Dan Rebellato and Kim Solga explore the ethics and aesthetics within Katie Mitchell’s oeuvre. Solga considers the inherent feminist politics of Mitchell’s work, and Rebellato places it within the historical context of naturalism, leading to a detailed discussion of Sarah Kane’s radical naturalism and Mitchell’s production of Cleansed.
Digital Theatre
(2017)
Interview

Kneehigh

Duška Radosavljević, Reader in Contemporary Theatre and Performance at the Central School of Speech and Drama, provides an overview of British theatre company Kneehigh. Radosavljević explores the company’s history, aims and methods, referring to their regular collaborators, their connection to the term ‘community’ and their highly visual storytelling style which has gained them international recognition.
Digital Theatre
(2017)
Concise Introduction

Lev Dodin

The Fletcher Professor of Drama and Oratory at Tufts University, Laurence Senelick, provides an introduction to one of the most prominent Russian directors of the last four decades, Lev Dodin (1944- ). Exploring Dodin’s methods, Senelick considers how his productions combine the Russian tradition of psychological playing with collective creativity and enable him to stage interpretations of literary fiction with great success.
Digital Theatre
(2018)
Concise Introduction

Martin Crimp

Theatre Director and Creative Associate at Gate Theatre, Ed Madden, introduces one of the most significant playwrights in contemporary European theatre, Martin Crimp. Madden examines the ways in which Crimp approaches the complex territory of scathing political satire and considers how he continues to expand the range of possibilities for dramatic writing.
Digital Theatre
(2017)
Concise Introduction