Teach Into the Woods
Ripe for dramatic analysis, building movement skills, and introducing musical theatre, Stephen Sondheim's Into the Woods weaves together famous fairy tales in an allegorical story of family, love, growing up, and the hazy areas between right and wrong.
- What is Into the Woods about?
- What are the key themes and characters?
- What was the inspiration behind Into the Woods?
DT+ helps you bring Into the Woods to life in the classroom with high-quality productions, lesson plans, interactive resources, and more...
Explore Into the Woods on Digital Theatre+
- 1Productions
- 2Video resources
- 9Written resources
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Regent's Park Open Air Theatre, 2010 This critically acclaimed production was captured by Digital Theatre, and was directed by Timothy Sheader. It won the Olivier Award for Best Musical Revival and features Hannah Waddingham as the Witch, and Jenna Russell as the Baker's Wife, among many stand-out performances. "[This musical] has been intelligently reclaimed as a late-summer night's dream that suggests fantasy is the first refuge of the psychologically damaged." – The Guardian ★★★★
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Interviews & Documentaries
- On Directing: Timothy Sheader
E-learning Videos
- Spotlight On: Into the Woods
Essays
- Into the Woods: A Critical Introduction
Study Guides
- Discover, Explore, Assess: Into the Woods
- Musical Theatre: A Handbook of Practical Exercises
- Spotlight On: Into the Woods
Into the Woods Lesson Plans
- Exploring Props and Sets
- Character Movement in Into the Woods

What is Into the Woods about?
With music and lyrics by Stephen Sondheim, and book by James Lapine, Into the Woods was first performed in 1986, and explores what happens after the 'happily ever after'.
Desperate for a child, the Baker and his wife are sent on a quest by a Witch who promises them their wish if they do as she asks. Along the way, we meet other famous fairy tale characters, their stories overlapping as we found out how children grow up, how adults learn, and where life can take us.
Explore Key Themes & Characters
Turn passive learning into active engagement with fun and dynamic resources on core theatre texts like Into the Woods, including in-depth analysis of key themes, characters, and literary techniques. Explore the full DT+ library with a free trial.
Key Themes
"I wish to see the world!" (Rapunzel, Act 1 Scene 5)
The idea of a 'happily ever after' is commonly found in fairy tales, and in Into the Woods, each character enters the woods to pursue a wish or a want.
None of the characters think about what happens after they get their wish - or who they may be hurting in its pursuit.
In musical theatre, 'I want' or 'I wish' songs usually occur near the beginning of the play, and feature the main character singing about what they are searching for, or what they are dissatisfied with.
"You can never love somebody else's child the way you love your own." (Cinderella's Stepmother, Act 1 Scene 3)
There are many different types of family units in Into the Woods - Cinderella has a nasty Stepmother and two Stepsisters, and Jack's Mother thinks he's simple-minded, at one point wishing aloud that she didn't have children.
Many of the parent/child relationships are strained - it seems the parents want different things from their children. Throughout the story, the characters explore the idea of the family we choose for ourselves.
"Into the woods / Without delay / But careful not / To lose the way." (All, Act 1 Scene 1)
Going into the woods is a metaphor for taking a treacherous journey into the unknown, where one doesn't know the outcome or consequences (or even if they will survive).
The woods themselves represent wildness - where nature, rather than man, is the master. In this way, it is the opposite of civilization.
Each character goes on a journey to fulfil their wishes, and leaves the woods as a different person in some way.
Key Characters
"I have, on occasion, wanted more. But that doesn't mean I went in search of it." (Act 2, Scene 2)
Cinderella is treated poorly by her Stepsisters and Stepmother. In this production, she is a rather forlorn princess. The audience wonders whether she really wants a relationship.
She can talk to birds, and her tears water a tree that will eventually become her Fairy Godmother.
"We disappoint / In turn, I guess / Forget, though, we won't / Like father, like son." (Act 2, Scene 2)
The Baker is a good husband, father, and son - in general, he is a good person.
He goes into the woods to gather objects for the Witch to undo a spell that has left his family without children.
The Baker loves his wife so much that he struggles to let her help gather objects for the Witch, even though he cannot do it without her.
"Mother said / 'Straight ahead' / Not to delay / Or be misled." (Act 1 Scene 2)
Little Red Riding Hood is a naive teenager who is starting to see the world in a new way.
She is tough and ready to fight, and goes into the woods to see her Granny. At this point, she meets the wolf, who offers her a new view of the world around her.
This overview is taken from our Into the Woods Workbook, which covers key context, characters, themes, and devices of the text.
What was the inspiration behind Into the Woods?
Stephen Sondheim and James Lapine were initially interested in exploring the world of fairy tales and folk tales by creating their own original story, based on conventions of the form.
However, they eventually settled on integrating a series of canonical folk tales into a single narrative, and settled on Jack and the Beanstalk, Cinderella, Little Red Riding Hood, and The Baker and His Wife. There are also elements of Rapunzel, The Three Little Pigs, and other stories.
Extract: Into the Woods: A Critical Introduction on DT+.
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